A voz de Manuela sob discursos autoritários: uma abordagem de "A casa das sete mulheres", de Leticia Wierzchowski
Carregando...
Data
2017-02-09
Autores
Silva, John David Peliceri da [UNESP]
Título da Revista
ISSN da Revista
Título de Volume
Editor
Universidade Estadual Paulista (Unesp)
Resumo
O objetivo deste trabalho é analisar a voz da personagem Manuela de Paula Ferrreira do romance histórico contemporâneo A casa das sete mulheres (2002), de Leticia Wierzchowski (1972). A análise consiste numa reflexão sobre o posicionamento transgressor da personagem, que apresenta uma voz abafada e dissonante no contexto do romance, podendo significar uma resistência ao sistema patriarcal brasileiro do século XIX. Baseia-se nos estudos discursivos de Bakhtin (1988) para abordar o estado de prisão, os costumes e as regras, a política e a guerra, tendo como objetivo temático o amor por Giuseppe Garibaldi. Procura-se, assim, realizar um estudo detalhado do diário íntimo e crítico em que a personagem anotava suas confidências, a fim de se compreender a sua voz e seu comportamento social. Para a análise desse diário, recorre-se aos conceitos de narração (GENETTE, 1979) e de memória (SPERBER, 2009), que permitem abranger toda a matéria transgressora nele implicada, no plano da civilidade, da exclusão e da submissão social, que acentua possíveis identidades (DELEUZE, 1995) como resposta a discursos autoritários. Por fim, o trabalho pretende discutir a tradição popular “Noiva de Garibaldi”, que tomou corpo depois que Giusepe Garibaldi dedicou a Manuela algumas linhas de suas memórias. Espera-se com isso contribuir para a compreensão dessa figura histórica e de seu papel na Guerra dos Farrapos.
This research intention specifically examines the voice of the character Manuela Paula Ferreira in The House of the Seven Women (2002), a contemporary historical novel creation by the brazilian Leticia Wierzchowski (1972). This analysis in the related novel is a way to meditate the transgressor´s position of the focus character, who in the context presents a muted and dissonante voice, that could mean the patriarcal system resistance in the XIX TH Century. Bakhtin´s (1988) discursive studies is the generic basis of this research, so essential theory for the survey to reveal Manoela´s state of prison feelings also in her perspectives from the social reflections, the rules , the politics until in the War and her thematic objective reminiscences in love with Giuseppe Garibaldi character. So the research seeks to carry out a detailed study toward the inward and critical diary in which the character Manoela wrote her confidences in order to understand herself own voice and her social behavior. For the analysis of this diary, this search also supports in the concepts of narration (GENETTE, 1979) and the memory (SPERBER, 2009), which allow to cover all the transgressive matter implied in it; in terms of civility, of the exclusion and social possible identities emphasizes (DELEUZE, 1995) like an answer of the authoritarian discourses. Finally, this cooperation intends to discuss the popular tradition "Bride of Garibaldi", which took shape after Giusepe Garibaldi dedicated to Manuela some lines of his memories. Then this research expectancy is also to contribute with the understanding of this historical figure and her role in the War of the Clutches/ Guerra dos Farrapos.
This research intention specifically examines the voice of the character Manuela Paula Ferreira in The House of the Seven Women (2002), a contemporary historical novel creation by the brazilian Leticia Wierzchowski (1972). This analysis in the related novel is a way to meditate the transgressor´s position of the focus character, who in the context presents a muted and dissonante voice, that could mean the patriarcal system resistance in the XIX TH Century. Bakhtin´s (1988) discursive studies is the generic basis of this research, so essential theory for the survey to reveal Manoela´s state of prison feelings also in her perspectives from the social reflections, the rules , the politics until in the War and her thematic objective reminiscences in love with Giuseppe Garibaldi character. So the research seeks to carry out a detailed study toward the inward and critical diary in which the character Manoela wrote her confidences in order to understand herself own voice and her social behavior. For the analysis of this diary, this search also supports in the concepts of narration (GENETTE, 1979) and the memory (SPERBER, 2009), which allow to cover all the transgressive matter implied in it; in terms of civility, of the exclusion and social possible identities emphasizes (DELEUZE, 1995) like an answer of the authoritarian discourses. Finally, this cooperation intends to discuss the popular tradition "Bride of Garibaldi", which took shape after Giusepe Garibaldi dedicated to Manuela some lines of his memories. Then this research expectancy is also to contribute with the understanding of this historical figure and her role in the War of the Clutches/ Guerra dos Farrapos.
Descrição
Palavras-chave
Leticia Wierzchowski, A casa das sete mulheres, Resistência feminina, Romance histórico contemporâneo, The house of the seven women, Female resistance, Contemporary historical novel