Discurso crítico e posicionamento lírico em Orides Fontela e Natália Correia
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Data
2006-12-15
Autores
Paschoa, Priscila Pereira [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Esta dissertação apresenta confluências entre as poesias da brasileira Orides Fontela (1940-1998) e da portuguesa Natália Correia (1923-1993), a partir das diferenças de suas específicas linguagens, buscando analisar, no posicionamento lírico, um contraste referente à construção do ser como projeção de sentido do poema, sendo essa projeção entendida como sujeito poético. Se a obra de Orides, aproximando-se do fio condutor do trabalho de João Cabral pela impessoalidade, contenção, busca pela palavra exata e culto a um silêncio esfíngico, constrói um sujeito cognoscente como o resultado do olhar contemplativo da voz lírica, em seu ato de flagrar e registrar as coisas do mundo, transformando a apreensão em conhecimento analítico, a de Natália projeta como sujeito uma afirmação intensa do eu no discurso, em um olhar voltado para a gênese do indivíduo, promovendo, na consubstanciação narcisista da voz com a poeta, uma figura de linguagem necessária tanto para romper com a lógica (o absolutismo racionalista) e com o senso comum em relação a Deus quanto para defender o poeta, a poesia e a urgência de praticá-la valorizando-se o princípio da especificidade da arte, a memória literária em geral. Identificando, por um lado, a fragmentação e a aridez no estilo contido e esfíngico de Orides e, por outro, o enredamento e a força impulsiva de uma feiticeira no tom rebelde da linguagem de Natália, evita-se, desse modo, a tendência usual, em muitos dos estudos comparativos, de busca de analogias assentadas na semelhança. Não se constroem binarismos entre os poemas, mas articulações de modo mais aberto, favorecendo a capacidade de estabelecer relações e, assim, uma visão mais ampla da literatura, em uma aproximação intercontinental liberta das limitações dos estudos centrados em um único espaço.
This dissertation presents convergence between the poetry of the Brazilian author Orides Fontela (1940-1998) and the Portuguese author Natália Correia (1923- 1993). We seek to analyze from both their specific languages and their poetic positioning, the contrast concerning the construction of the subject as projection of meaning in the poem; this projection seen as poetic subject. The work of Orides has some similarities with the work of João Cabral due to its impersonal characteristics, self-restraint, quest for the proper word and reverence for a sphinx silence. It also creates a cognoscenti subject as consequence of the contemplative look of the poetic voice, a subject depicted while perceiving and registering the things of the world, changing his perception to analytical knowledge. On the other hand, Natália projects as subject an intense affirmation of the subject in the discourse, a look directed towards the genesis of the individual. Fostering, while gathering narcissist voice and poet, a figurative language required to break both with the logic (rational absolutism) and with what is generally accepted about God. Making use of this language, poet, poetry, literary memory in general, and the eagerness to write valuing the idea of purpose to art, are protected. We focused on one hand on the fragmentation and arid self-constrained sphinx style of Orides, and on the other hand on the entanglement and impulsive power of a witch written by Natália in a rebellious language, thus avoiding the search for analogies based on similarities, which is a common tendency in many comparative studies. It was not raised binary oppositions between the poems, but open articulations, favoring the capability to establish connections. Therefore, it was possible to have a clear vision of literature, and an intercontinental approach free from the limitations posed by studies centered in one space.
This dissertation presents convergence between the poetry of the Brazilian author Orides Fontela (1940-1998) and the Portuguese author Natália Correia (1923- 1993). We seek to analyze from both their specific languages and their poetic positioning, the contrast concerning the construction of the subject as projection of meaning in the poem; this projection seen as poetic subject. The work of Orides has some similarities with the work of João Cabral due to its impersonal characteristics, self-restraint, quest for the proper word and reverence for a sphinx silence. It also creates a cognoscenti subject as consequence of the contemplative look of the poetic voice, a subject depicted while perceiving and registering the things of the world, changing his perception to analytical knowledge. On the other hand, Natália projects as subject an intense affirmation of the subject in the discourse, a look directed towards the genesis of the individual. Fostering, while gathering narcissist voice and poet, a figurative language required to break both with the logic (rational absolutism) and with what is generally accepted about God. Making use of this language, poet, poetry, literary memory in general, and the eagerness to write valuing the idea of purpose to art, are protected. We focused on one hand on the fragmentation and arid self-constrained sphinx style of Orides, and on the other hand on the entanglement and impulsive power of a witch written by Natália in a rebellious language, thus avoiding the search for analogies based on similarities, which is a common tendency in many comparative studies. It was not raised binary oppositions between the poems, but open articulations, favoring the capability to establish connections. Therefore, it was possible to have a clear vision of literature, and an intercontinental approach free from the limitations posed by studies centered in one space.
Descrição
Palavras-chave
Comparative literature, Poetic subject, Brazilian poetry, Portuguese poetry, Fontela, Orides, 1940-1998 - Crítica e interpretação, Correia, Natália, 1923-1993 - Crítica e interpretação, Literatura comparada - Brasileira e portuguesa, Literatura comparada - Brasileira e portuguesa, Poetica, Poesia brasileira - Sec. XX- Séc. XX, Poesia portuguesa - Sec. XX- Séc. XX
Como citar
PASCHOA, Priscila Pereira. Discurso crítico e posicionamento lírico em Orides Fontela e Natália Correia. 2006. 218 f. Dissertação (mestrado) - Universidade Estadual Paulista, Instituto de Biociências, Letras e Ciências Exatas, 2006.