A relação do idoso com o aprendizado musical
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Data
2012-06-25
Autores
Bergmann, Carolina Giordano [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Esta pesquisa foi realizada na cidade de Campinas-SP, com idosos que frequentavam aulas de música do Curso de Extensão em Música Litúrgica da Arquidiocese de Campinas – CEMULC. O objetivo inicial da pesquisa foi saber qual a influência da educação musical na memória, concentração, coordenação motora, socialização e disposição, colhendo opiniões dos idosos que participaram das aulas. Buscou-se ainda compreender suas percepções e representações simbólicas acerca da música e do fazer musical, conhecer seus gostos e preferências e entender suas relações com a música. A pesquisa foi de caráter qualitativo, adotando-se a metodologia de estudo de caso. Usou-se a observação direta não participante e a realização de entrevista semiestruturada, com quatro idosos de diferentes turmas do curso, para a coleta de dados. O referencial teórico utilizado para a análise dos dados e a fundamentação da pesquisa se baseou em Ecléa Bosi, para tratar das questões referentes à memoria e lembranças; Simone de Beauvoir, que contribuiu com suas análises sociais e históricas a respeito do envelhecimento e da velhice; e no Tratado de Geriatria e Gerontologia, compêndio de artigos abordando diversos temas relacionados ao envelhecer. Na área de Educação Musical, buscou-se apoio em John Paynter e Murray Schafer, educadores musicais da segunda geração, que trabalham com a proposta de um ensino de música baseado na criatividade, no fazer musical e na escuta. A análise dos dados destacou alguns aspectos interessantes a respeito da educação musical e dos idosos, como a busca das aulas de música para a satisfação de um desejo ou necessidade, como se fosse a realização de um sonho que não pôde ser vivido anteriormente; a importância do apoio familiar para iniciar e dar continuidade aos estudos; a constatação de que os idosos têm capacidade de aprender coisas novas; e a contribuição da música para a melhoria da qualidade
This research was held in Campinas-SP, with ederley who attended music classes in the Extension Course in Liturgical Music of the Roman Catholic Archdiocese of Campinas – CEMULC. The initial goal of the research was to know the influence of musical education in memory, concentration, motor coordination, socialization and provision, reaping reviews of seniors who participated in lessons. Also, it tried to understand their symbolic representations and perceptions about music and making music, to know their tastes and preferences, and to understand their relationship with music. The research was qualitative, adopting the methodology of case study. It was used the direct non-participant observation and semistructured interviews, with four elderly of different classes of the course, to collect data. The theoretical reference used for data analysis and research basis was based on Ecléa Bosi, for issues relating to memory and recollections; on Simone de Beauvoir, who contributed with her social and historical analyses regarding aging and old age; and on Tratado de Geriatria e Gerontologia, compendium of articles addressing various issues related to aging. In the field of music education, we sought support in John Paynter and Murray Schafer, second-generation musical educators who worked with the proposal of music education based on creativity, making music and listening. Data analysis has highlighted some interesting aspects about musical education and elderly, as the pursuit of music lessons for satisfying a desire or need, as if it was a dream that could not be lived previously; the importance of family support for starting and continuing studies; the fact that the elderly have the capacity to learn new things; and the music’s contribution to improve quality of life when promoting integration and socialization, filling out free time and the use of intellectual and emotional capabilities
This research was held in Campinas-SP, with ederley who attended music classes in the Extension Course in Liturgical Music of the Roman Catholic Archdiocese of Campinas – CEMULC. The initial goal of the research was to know the influence of musical education in memory, concentration, motor coordination, socialization and provision, reaping reviews of seniors who participated in lessons. Also, it tried to understand their symbolic representations and perceptions about music and making music, to know their tastes and preferences, and to understand their relationship with music. The research was qualitative, adopting the methodology of case study. It was used the direct non-participant observation and semistructured interviews, with four elderly of different classes of the course, to collect data. The theoretical reference used for data analysis and research basis was based on Ecléa Bosi, for issues relating to memory and recollections; on Simone de Beauvoir, who contributed with her social and historical analyses regarding aging and old age; and on Tratado de Geriatria e Gerontologia, compendium of articles addressing various issues related to aging. In the field of music education, we sought support in John Paynter and Murray Schafer, second-generation musical educators who worked with the proposal of music education based on creativity, making music and listening. Data analysis has highlighted some interesting aspects about musical education and elderly, as the pursuit of music lessons for satisfying a desire or need, as if it was a dream that could not be lived previously; the importance of family support for starting and continuing studies; the fact that the elderly have the capacity to learn new things; and the music’s contribution to improve quality of life when promoting integration and socialization, filling out free time and the use of intellectual and emotional capabilities
Descrição
Palavras-chave
Musica - Instrução e estudo, Idosos, Gerontologia, Music - Instruction and study, Gerontology, Older people
Como citar
BERGMANN, Carolina Giordano. A relação do idoso com o aprendizado musical. 2012. 225 f. Dissertação (mestrado) - Universidade Estadual Paulista, Instituto de Artes, 2012.