Uma aproximação à Teoria da Poesia Concreta via Noigandres e Invenção
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Data
2022-08-26
Autores
Watanabe, Edna Atsué [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
A tese se debruça sobre as referências artísticas e teóricas que integram a formulação do projeto poético do grupo Noigandres, no período de 1952 a 1967. Tais referências foram apreendidas pelos fundadores do grupo – Décio Pignatari e os irmãos Augusto e Haroldo de Campos – e, num processo “antropofágico” e de radicalização, resultaram na poética dos poemas-críticos e na prática da poesia experimental, ou seja, na Poesia Concreta. A tese também buscou o estabelecimento de um diálogo entre as referências artísticas e teóricas que permearam a produção crítica e poética do grupo Noigandres e as publicações dos jovens poetas paulistas que se encontram nas revistas Noigandres (1952-1962), Invenção: revista de arte de vanguarda (1962-1967) e Teoria da Poesia Concreta (1965), onde foram compilados os principais artigos e ensaios crítico-teóricos do projeto poético que resultou no Movimento Internacional da Poesia Concreta.
The thesis focuses on the artistic and theoretical references that integrate the formulation of the poetic project of the Noigandres group, in the period from 1952 to 1967. Such references were seized by the founders of the group – Décio Pignatari and the brothers Augusto and Haroldo de Campos – and, in an “anthropophagic” and radicalization process, resulted in the poetics of critical-poems and in the practice of experimental poetry, that is, in Concrete Poetry. The thesis also sought to establish a dialogue between the artistic and theoretical references which permeated the critical and poetic production of the Noigandres group, and the publications of young São Paulo poets found in the magazines Noigandres (1952-1962), Invenção: revista de arte de vanguarda (1962-1967) and Teoria da Poesia Concreta (1965), where the main articles and critical-theoretical essays of the poetic project that resulted in the International Movement of Concrete Poetry were compiled.
The thesis focuses on the artistic and theoretical references that integrate the formulation of the poetic project of the Noigandres group, in the period from 1952 to 1967. Such references were seized by the founders of the group – Décio Pignatari and the brothers Augusto and Haroldo de Campos – and, in an “anthropophagic” and radicalization process, resulted in the poetics of critical-poems and in the practice of experimental poetry, that is, in Concrete Poetry. The thesis also sought to establish a dialogue between the artistic and theoretical references which permeated the critical and poetic production of the Noigandres group, and the publications of young São Paulo poets found in the magazines Noigandres (1952-1962), Invenção: revista de arte de vanguarda (1962-1967) and Teoria da Poesia Concreta (1965), where the main articles and critical-theoretical essays of the poetic project that resulted in the International Movement of Concrete Poetry were compiled.
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Palavras-chave
Poesia concreta brasileira, Poética, Grupo Noigandres, Brazilian concrete poetry, Poetics