Leitor em oposição: João Antônio e Noturno da Lapa
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Data
2011-06-10
Autores
ORNELLAS, Clara Ávila [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Este texto analisa algumas das marginálias de João Antônio realizadas na obra Noturno da Lapa, de Luís Martins, pertencente à sua biblioteca pessoal. A investigação sobre essas marcas de leitura somada a enunciados de João Antônio, proferidos em entrevistas, permite depreender elementos particulares da formação estética deste escritor. Os posicionamentos contrários à narrativa de Luís Martins revelam uma concepção de literatura fundamentada na necessidade de uma escrita atenta à realidade com uma evidente postura de contestação social. As marginálias focalizadas, além de atuarem como registros do ponto de vista estético de João Antônio, fornecem elementos explícitos do diálogo deste leitor com a obra e o contexto literário da época, conforme propõem os estudos de Mikhail Bakhtin sobre dialogismo. Este estudo contribui para sedimentar a importância deste tipo de objeto extraliterário como fonte hábil para se refletir sobre o pensamento e a formação estética de um escritor.
This paper examines some margin notes that were made by Joao Antonio in the work Noturno da Lapa by Luis Martins from Antonio’s personal library. The research on these notations along with statements from interviews with Joao Antonio, elucidate specific elements of his own aesthetic development. His antithetical stance toward Luis Martins’ narrative reveals literary beliefs founded on the necessity for the conscientious writer to approach reality with a clear agenda for social protest. The margin notes, besides acting as a record of Joao Antonio’s aesthetic points of view, provide examples of explicit dialogue between the reader, the work and the literary context of the time, as proposed in Mikhail Bakhtin’s studies on dialogism. This study helps to confirm the importance of such extratextual elements as a source of reflection on the thought and the aesthetic development of a writer.
This paper examines some margin notes that were made by Joao Antonio in the work Noturno da Lapa by Luis Martins from Antonio’s personal library. The research on these notations along with statements from interviews with Joao Antonio, elucidate specific elements of his own aesthetic development. His antithetical stance toward Luis Martins’ narrative reveals literary beliefs founded on the necessity for the conscientious writer to approach reality with a clear agenda for social protest. The margin notes, besides acting as a record of Joao Antonio’s aesthetic points of view, provide examples of explicit dialogue between the reader, the work and the literary context of the time, as proposed in Mikhail Bakhtin’s studies on dialogism. This study helps to confirm the importance of such extratextual elements as a source of reflection on the thought and the aesthetic development of a writer.
Descrição
Palavras-chave
Margin notes, Joao Antonio, Personal Library, Marginálias, João Antônio, Biblioteca Pessoal
Como citar
Patrimônio e Memória, v. 7, n. 1, p. 302-327.