O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
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Data
2013-01-01
Autores
Kubala, Ricardo Lobo [UNESP]
Biaggi, Emerson Luiz de
Título da Revista
ISSN da Revista
Título de Volume
Editor
Univ Federal Goias
Resumo
This article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.
Descrição
Palavras-chave
Brazilian contemporary music, Music for viola and orchestra, Musical interpretation
Como citar
Musica Hodie. Goiania Go: Univ Federal Goias, v. 13, n. 1, p. 192-200, 2013.