A preparação da performance do contrabaixo acústico e Live Electronics
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Data
2017-08-08
Autores
Calado, Ricardo Bigio [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Este trabalho discute a preparação para a performance do contrabaixo numa relação com dispositivos computacionais de interação em tempo real, dentro de vertentes conhecidas como Live Electronics e Live Looping. Para tal discussão foi utilizado o programa Ableton Live, desenvolvido na Alemanha em 1999, que atualmente constitui ferramenta de produção musical amplamente utilizada em performances ao vivo e em estúdio. O objetivo geral deste trabalho é discutir possibilidades de utilização do programa Ableton Live como ferramenta na preparação e realização da performance ao contrabaixo bem como a interação entre o músico e o computador, de forma a propor estratégias de preparação da performance do contrabaixo com Live Electronics e Live Looping. A discussão enfatiza o papel do performer, bem como aspectos relacionados à performance musical do contrabaixo acústico neste contexto. O trabalho está organizado em 4 partes principais: 1) Revisão da Literatura sobre questões organizacionais, técnico-interpretativas; aspectos psicológicos, abordagens sobre a musicalidade e expressividade; conceitos de Hiperinstrumento, técnica estendida e a relação compositor-intérprete; 2) Apresentação dos objetos de estudo - recursos de execução do contrabaixo na contemporaneidade; breve histórico sobre Live Electronics e aspectos básicos de funcionamento do programa utilizado; 3) um relato de experiência sobre a preparação de um recital de contrabaixo e piano que utilizou o sistema computacional como parte fundamental das estratégias de preparação da performance; e 4) O processo de preparação para a performance, a relação entre compositor e intérprete, aspectos da improvisação musical e uma reflexão sobre técnicas estendidas do instrumento em duas obras: BASS COLORS (para contrabaixo, Live Electronics e vídeo) de Ricardo Bigio e TICKER TAPE (para contrabaixo e Ableton Live) de Robert Matheson. A discussão evidenciou que estratégias de preparação da performance do contrabaixo com Live Electronics e Live Looping utilizando o programa Ableton Live são pertinentes e úteis para o avanço das possibilidades de criação (composição e performance) no contrabaixo.
This paper discusses the preparation for a contrabass performance related to real-time interaction computing devices, within known strands like Live Electronics and Live Looping. The software chosen to work was Ableton Live, developed in Germany in 1999, widely used for music production and live performances and in studio. The general objective of this work is to discuss possibilities of using the Ableton Live program as a tool in the preparation and performance of the double bass as well as an interaction between the musician and the computer, to propose a strategy for the preparation of double bass performance with Live Electronics and Live Looping. The discussion emphasizes the role of the performer as well as related to the musical performance of the acoustic bass in context. The work is organized in 4 main parts: 1) Literature review on normative issues, technical-interpretative, psychological questions and approaches on musicality and expressivity; on concepts of Hyper instrument, extended technique and the relation composer-interpreter; 2) Presentation of the objects of study - resources of execution of the contrabass in the contemporaneity; Brief history on live electronics and basic program operating features; 3) an experience report on the preparation of a double bass and piano recital that uses the computer system as a fundamental part of the performance preparation strategy; 4) The process of preparation for a performance, the relationship between composer and performer, musical improvisation and a reflection on the techniques of assembling two works: BASS COLORS (for bass, Live Electronics and video) by Ricardo Bigio and TICKER TAPE (For double bass and Ableton Live) by Robert Matheson. The discussion has shown that the bass performance strategy with Live Electronics and Live Looping, the Ableton Live program, are important for advancing the possibilities of creation (composition and performance) of the double bass.
This paper discusses the preparation for a contrabass performance related to real-time interaction computing devices, within known strands like Live Electronics and Live Looping. The software chosen to work was Ableton Live, developed in Germany in 1999, widely used for music production and live performances and in studio. The general objective of this work is to discuss possibilities of using the Ableton Live program as a tool in the preparation and performance of the double bass as well as an interaction between the musician and the computer, to propose a strategy for the preparation of double bass performance with Live Electronics and Live Looping. The discussion emphasizes the role of the performer as well as related to the musical performance of the acoustic bass in context. The work is organized in 4 main parts: 1) Literature review on normative issues, technical-interpretative, psychological questions and approaches on musicality and expressivity; on concepts of Hyper instrument, extended technique and the relation composer-interpreter; 2) Presentation of the objects of study - resources of execution of the contrabass in the contemporaneity; Brief history on live electronics and basic program operating features; 3) an experience report on the preparation of a double bass and piano recital that uses the computer system as a fundamental part of the performance preparation strategy; 4) The process of preparation for a performance, the relationship between composer and performer, musical improvisation and a reflection on the techniques of assembling two works: BASS COLORS (for bass, Live Electronics and video) by Ricardo Bigio and TICKER TAPE (For double bass and Ableton Live) by Robert Matheson. The discussion has shown that the bass performance strategy with Live Electronics and Live Looping, the Ableton Live program, are important for advancing the possibilities of creation (composition and performance) of the double bass.
Descrição
Palavras-chave
Contrabaixo, Música, Performance, Live Electronics, Hiperinstrumento, Double Bass, Music, Performance, Hyperinstrument