Verdade e arte: a concepção ontológica da obra de arte no pensamento de Martin Heidegger
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Data
2017-09-21
Autores
Rabello, Juliano [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
A presente dissertação tem por objetivo abordar o tema da arte em Martin Heidegger. Ligada à questão da essência da verdade, a reflexão heideggeriana sobre a obra de arte se elabora a partir de uma retomada da expressão grega alétheia. A fim de apresentar tal noção como uma intuição fundamental que orientará o percurso filosófico de Heidegger, nossa investigação perpassa os desenvolvimentos da “Ontologia Fundamental” de Ser e Tempo (1927) ao contexto da viragem (Kehre) de seu pensamento (1930), onde se situa o tema da arte. Nesta direção, procuramos abordar nos textos estudados, como Heidegger desenvolve suas reflexões acerca desse tema, principalmente no ensaio A origem da obra de arte (1935-36), onde o filósofo nos apresenta, juntamente com a questão da essência da linguagem e da poesia, as noções diretrizes de sua concepção ontológica da obra de arte, que por sua vez, diverge das teorias tradicionais da Estética Filosófica.
The present dissertation aims to approach the theme of art in Martin Heidegger. Linked to the question of the essence of truth, the heideggerian reflection on the work of art is elaborated from a resumption of the Greek expression alétheia. In order to present such a notion as a fundamental intuition that will guide Heidegger's philosophical route, our investigative path runs through the developments of the "Fundamental Ontology" of Being and Time (1927) to the context of the turning (Kehre) of his thinking (1930), where the theme of art lies. In this direction, we try to approach in the texts studied, as Heidegger elaborates his reflections on this theme, mainly in the essay The Origin of the Work of Art (1935-36), where the philosopher presents us, together with the question of the essence of language and poetry, the guiding notions of his ontological conception of the work of art, which in turn, diverges from the traditional theories of Philosophical Aesthetics.
The present dissertation aims to approach the theme of art in Martin Heidegger. Linked to the question of the essence of truth, the heideggerian reflection on the work of art is elaborated from a resumption of the Greek expression alétheia. In order to present such a notion as a fundamental intuition that will guide Heidegger's philosophical route, our investigative path runs through the developments of the "Fundamental Ontology" of Being and Time (1927) to the context of the turning (Kehre) of his thinking (1930), where the theme of art lies. In this direction, we try to approach in the texts studied, as Heidegger elaborates his reflections on this theme, mainly in the essay The Origin of the Work of Art (1935-36), where the philosopher presents us, together with the question of the essence of language and poetry, the guiding notions of his ontological conception of the work of art, which in turn, diverges from the traditional theories of Philosophical Aesthetics.
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Arte, Estética, Heidegger, Linguagem, Poesia, Ser, Verdade, Art, Aesthetics, Language, Poetry, Being, Truth