Show simple item record

dc.contributor.authorSimis, Anita [UNESP]
dc.date.accessioned2018-11-28T19:21:53Z
dc.date.available2018-11-28T19:21:53Z
dc.date.issued2016-08-01
dc.identifierhttp://dx.doi.org/10.16921/chasqui.v0i132.2929
dc.identifier.citationChasqui-revista Latinoamericana De Comunicacion. Quito: Centro Int Estudios Superiores Comunicacion Amer Latina-ciespal, n. 132, p. 101-112, 2016.
dc.identifier.issn1390-1079
dc.identifier.urihttp://hdl.handle.net/11449/165768
dc.description.abstractThis paper aims to understand the gap of cultural policy of the years 1980-1990, called time of transition, and the cultural and political ideas of Celso Furtado, minister of culture from 1986 to 1988. How we move from a forged cultural policy during the dictatorship to another? What are the ideas that guided Celso Furtado in this change to a democratic opening situation? In this sense, the cultural policy implemented by Celso Furtado, particularly the film policy, by presenting itself as a unique landmark, is the primary focus of research.en
dc.format.extent101-112
dc.language.isospa
dc.publisherCentro Int Estudios Superiores Comunicacion Amer Latina-ciespal
dc.relation.ispartofChasqui-revista Latinoamericana De Comunicacion
dc.sourceWeb of Science
dc.subjectcultural policy
dc.subjectCelso Furtado
dc.subjectcinema
dc.subjectBrazil
dc.titleCelso Furtado. Culture and film policyen
dc.typeArtigo
dcterms.rightsHolderCentro Int Estudios Superiores Comunicacion Amer Latina-ciespal
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.description.affiliationUniv Estadual Paulista, Sao Paulo, Brazil
dc.description.affiliationUnespUniv Estadual Paulista, Sao Paulo, Brazil
dc.identifier.doi10.16921/chasqui.v0i132.2929
dc.identifier.wosWOS:000410728300007
dc.rights.accessRightsAcesso restrito
Localize o texto completo

Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record