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Francesca Woodman: A fotografia para além dos limites da representação

dc.contributor.authorPereira, Bruno [UNESP]
dc.contributor.authorFilho, Fernando Silva Teixeira [UNESP]
dc.date.accessioned2018-12-11T17:37:23Z
dc.date.available2018-12-11T17:37:23Z
dc.date.issued2017-01-01
dc.identifierhttp://dx.doi.org/10.5433/1984-7939.2017v13n23p161
dc.identifier.citationDiscursos Fotograficos, v. 13, n. 23, p. 161-189, 2017.
dc.identifier.issn1984-7939
dc.identifier.issn1808-5652
dc.identifier.urihttp://hdl.handle.net/11449/179944
dc.description.abstractThis paper intends to combine the relationship between photography and art, through the photographic work of American photographer Francesca Woodman (1958-1981). The anal-ysis parameter will focus on Woodman's contribution to the discussions about photography as a medium, in particular, issues concerning the representation, thus, we seek to demonstrate how Woodman questioned the precepts of photography of her time and presented clues for the con-struction of a photographic language resulting from the inventive power of the artist's creative process in her relation to photography.en
dc.format.extent161-189
dc.language.isopor
dc.relation.ispartofDiscursos Fotograficos
dc.sourceScopus
dc.subjectArt
dc.subjectFrancesca Woodman
dc.subjectPhotography
dc.subjectRepresentation
dc.titleFrancesca Woodman: Photography beyond the limits of representationen
dc.titleFrancesca Woodman: A fotografia para além dos limites da representaçãopt
dc.typeArtigo
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.description.affiliationUniversidade Estadual Paulista 'Júlio de Mesquita Filho' UNESP
dc.description.affiliationUnespUniversidade Estadual Paulista 'Júlio de Mesquita Filho' UNESP
dc.identifier.doi10.5433/1984-7939.2017v13n23p161
dc.rights.accessRightsAcesso restrito
dc.identifier.scopus2-s2.0-85048437449
dc.relation.ispartofsjr0,100
dc.relation.ispartofsjr0,100
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