Graffiti: ética, estética e poética: o eu grafiteiro/artista/pesquisador ser culto híbrido contemporâneo
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Data
2018-08-29
Autores
Boemer, Otavio Fabro [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
A presente pesquisa circunscreve-se no campo da linguagem da nova geração do Graffiti, provindo da tradição estadunidense, inspirado no movimento cultural hip-hop. Da evolução do Graffiti de tradição nova-iorquina inicial, vista atualmente nos grandes centros urbanos do mundo, somar-se-ia a arte contemporânea e seus paradigmas, assim como conceitos teóricos e necessidades e soluções próprias da pesquisa científica em hipótese que confirmaria a hibridação (Valente) tida na figura do ser grafiteiro/artista/pesquisador, um novo “ser culto híbrido” contemporâneo (inspirado em Canclini). Assim se demonstraria as potências desse significativo agrupamento artístico mundial em nossa atualidade. A pesquisa abordará inicialmente questões de ordem estética, poética e ética do Graffiti, de sua “utopia inconsciente” (Boemer) do fazer em relação aos sistemas a ele relacionados, sendo conflitos de um lado com a lei e de outro com o mercado de arte, até sua relação com a educação não formal, e seu uso na publicidade – determinando, desta forma, diferentes perfis de produção. Sendo este autor inicialmente grafiteiro, que se vê na atualidade no mercado de arte como artista contemporâneo, soma-se a este contexto a educação não-formal como educador, a publicidade como empresário e a universidade como ser pesquisador. Grafiteiro/artista/pesquisador – Ota/Otavio Fabro/Boemer. De um estudo histórico hermenêutico sincrônico em tempo diacrônico, apresentaram-se possíveis relações com foco na aparição do Graffiti na história, da antiga até os dias de hoje (Gombrich, Funari, Debord, Lara, Barbosa, Winnicott e Benjamin) afim de se traçar uma linha do tempo e estética. Com foco em uma análise teórico/crítica (Kraus, Bauman, Anfam, Deleuze, Owens, Latur) das mudanças que esclarecem as intervenções atuais e obras atuais do artista, e na vertente empírico/analítica de sua produção como obras visuais – sua poética – serão apresentados trabalhos realizados sob a formatividade (Pareyson) de um ser híbrido em sua organização poética e ética, com base conceitual na estética já delimitada. Dado o caráter de pesquisa explicitamente poética, o autor apresentará sua produção artística, obras intrínsecas e motivadoras de todos os levantamentos e conceitos abordados nos diferentes meios hibridados. Observada a carência de pesquisadores que hibridem este mesmo perfil, busca-se com esta tese também contribuir ao campo da pesquisa em arte, tendo nesta hibridação o desejo de que surjam mais pesquisadores que inter-relacionem tais áreas.
The present research is circumscribe in the field of language of the new generation of Graffiti, coming from the American tradition, inspired by the hip-hop cultural movement. From the Graffiti evolution of New York's initial tradition, seen today in the great urban centers of the world, contemporary art and its paradigms, as well as theoretical concepts and needs and solutions specific to scientific research, would be added in a hypothesis that would confirm the hybridization (Valente) in the figure of the graffiti artist / artist / researcher, a new contemporary "human being cult hybrid" (inspired by Canclini). This would demonstrate the potencies of this significant world artistic grouping in our times. The research will initially address questions of the aesthetic, poetic and ethical aspects of Graffiti, of its "unconscious utopia" (Boemer) of doing in relation to the systems related to it, being conflicts on one side with the law and another with the art market, to its relationship with non-formal education, and its use in advertising - thus determining different production profiles. Being this artist initially graffiti artist, who is currently seen in the art market as a contemporary artist, adds to this context non-formal education as an educator, advertising as an entrepreneur and the university as a researcher. Graffiti writer / artist / researcher being these, Ota / Otavio Fabro / Boemer. From a sincronic hermeneutic historical study in diachronic time, will present possible relations with focus on the appearance of Graffiti in history, from the old one until the present (Gombrich, Funari, Debord, Lara, Barbosa, Winnicott and Benjamin) in order to be trace a timeline and aesthetics. Focusing on a theoretical / critical analysis (Kraus, Bauman, Anfam, Deleuze, Owens, Latur) of the changes that clarify the current interventions and current works of the artist, and the empirical / analytical perspective of his production as visual works - his poetics - will be presents works about the formativity of a hybrid being in its poetic and ethical organization will be presented, with a conceptual basis in the already defined aesthetics. Given the explicitly poetic research character, the author will present his artistic production, works of art intrinsic and motivating all the surveys concepts addressed in the different hybridized media. Observed the lack of researchers that hybridize this same profile, this thesis is also intended to contribute to the field of art research, having in this hybridization the will desire for more researchers to arise that interrelate such areas.
The present research is circumscribe in the field of language of the new generation of Graffiti, coming from the American tradition, inspired by the hip-hop cultural movement. From the Graffiti evolution of New York's initial tradition, seen today in the great urban centers of the world, contemporary art and its paradigms, as well as theoretical concepts and needs and solutions specific to scientific research, would be added in a hypothesis that would confirm the hybridization (Valente) in the figure of the graffiti artist / artist / researcher, a new contemporary "human being cult hybrid" (inspired by Canclini). This would demonstrate the potencies of this significant world artistic grouping in our times. The research will initially address questions of the aesthetic, poetic and ethical aspects of Graffiti, of its "unconscious utopia" (Boemer) of doing in relation to the systems related to it, being conflicts on one side with the law and another with the art market, to its relationship with non-formal education, and its use in advertising - thus determining different production profiles. Being this artist initially graffiti artist, who is currently seen in the art market as a contemporary artist, adds to this context non-formal education as an educator, advertising as an entrepreneur and the university as a researcher. Graffiti writer / artist / researcher being these, Ota / Otavio Fabro / Boemer. From a sincronic hermeneutic historical study in diachronic time, will present possible relations with focus on the appearance of Graffiti in history, from the old one until the present (Gombrich, Funari, Debord, Lara, Barbosa, Winnicott and Benjamin) in order to be trace a timeline and aesthetics. Focusing on a theoretical / critical analysis (Kraus, Bauman, Anfam, Deleuze, Owens, Latur) of the changes that clarify the current interventions and current works of the artist, and the empirical / analytical perspective of his production as visual works - his poetics - will be presents works about the formativity of a hybrid being in its poetic and ethical organization will be presented, with a conceptual basis in the already defined aesthetics. Given the explicitly poetic research character, the author will present his artistic production, works of art intrinsic and motivating all the surveys concepts addressed in the different hybridized media. Observed the lack of researchers that hybridize this same profile, this thesis is also intended to contribute to the field of art research, having in this hybridization the will desire for more researchers to arise that interrelate such areas.
Descrição
Palavras-chave
Graffiti, Arte contemporânea, Desenho, Pintura, Escultura, Instalação, História do graffiti, Hibridismo cultural, Contemporary art, Drawing, Painting, Sculpture, Installation, History of graffiti, Cultural hybridism, Graffiti