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Quebrando o silêncio: Peças silenciosas não reconhecidas

dc.contributor.authorBorges Pena, Eder Wilker [UNESP]
dc.date.accessioned2021-06-25T10:23:55Z
dc.date.available2021-06-25T10:23:55Z
dc.date.issued2020-09-01
dc.identifierhttp://dx.doi.org/10.20504/OPUS2020C2617
dc.identifier.citationOpus, v. 26, n. 3, 2020.
dc.identifier.issn1517-7017
dc.identifier.issn0103-7412
dc.identifier.urihttp://hdl.handle.net/11449/205937
dc.description.abstractThe following work seeks to restore from obscurity three silent pieces of music that predate John Cage’s 4’33” and establish the reasons why they have not been acknowledged as being the first silent pieces. Hence, we present our methodology, analysis, and conclusion based on the motives that led them to musicological oblivion, their relevance in the context of experimental music, and why 4’33” was possible in its zeitgeist.en
dc.language.isoeng
dc.relation.ispartofOpus
dc.sourceScopus
dc.subjectExperimentalism
dc.subjectHumorous music
dc.subjectSilent pieces
dc.title“Unsilencing” the Silence: Unacknowledged silent piecesen
dc.titleQuebrando o silêncio: Peças silenciosas não reconhecidaspt
dc.typeArtigo
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.description.affiliationUnesp
dc.description.affiliationUnespUnesp
dc.identifier.doi10.20504/OPUS2020C2617
dc.identifier.scopus2-s2.0-85101375213
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