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dc.contributor.authorRomano, Lúcia Regina Vieira [UNESP]
dc.date.accessioned2021-07-14T10:54:39Z
dc.date.available2021-07-14T10:54:39Z
dc.date.issued2021-03-26
dc.identifierhttp://dx.doi.org/10.1590/2237-2660101160
dc.identifier.citationRevista Brasileira de Estudos da Presença. Universidade Federal do Rio Grande do Sul, v. 11, n. 2, p. -, 2021.
dc.identifier.issn2237-2660
dc.identifier.urihttp://hdl.handle.net/11449/213394
dc.description.abstractThis article examines Cia. Livre’s scene, which questions the constitution of Brazilian identity, relating the individual in the urban context and Amerindian thought. Since the performance Vem Vai, o caminho dos mortos (2007), transit between the forest and the asphalt has been identified, instituted in the scenic translations of anthropophagy, according to Andrade (1928), Campos (1992), and Nunes (1979), and Amazonian cosmology, based on theories of perspectivism, especially Descola (1992), Carneiro da Cunha (1998), Kopenawa and Albert (2015), and Viveiros de Castro (1996; 2002; 2015). It concludes by highlighting the company’s decolonial strategy in the use of anthropology in order to imagine other humanities.en
dc.description.abstractCet article examine la scène de Cia. Livre, qui problématise la constitution de l'identité brésilienne, mettant en relation l'individu dans le contexte urbain et la pensée amérindienne. Depuis le spectacle Vem Vai, le chemin des morts (2007), un transit entre la forêt et l'asphalte a été établi, institué dans la traduction scénique de l'anthropophagie, selon Andrade (1928), Campos (1992) et Nunes (1979), et la cosmologie amazonienne, basée sur les théories du perspectivisme, en particulier Descola (1992), Carneiro da Cunha (1998), Kopenawa e Albert (2015) et Viveiros de Castro (1996; 2002; 2015). Il conclut en mettant en évidence la stratégie décoloniale de la compagnie dans l'utilisation de l'anthropologie, pour imaginer d'autres humanités.fr
dc.format.extent-
dc.language.isoeng
dc.publisherUniversidade Federal do Rio Grande do Sul
dc.relation.ispartofRevista Brasileira de Estudos da Presença
dc.sourceSciELO
dc.subjectContemporary Sceneen
dc.subjectBrazilian Theateren
dc.subjectEpicization Processesen
dc.subjectAmerindian Perspectivismen
dc.subjectContemporary Anthropologyen
dc.titleFrom the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic languageen
dc.title.alternativeDe l’Asphalte à la Forêt: les recherches de Cia. Livre sur la création d'une scène épique et perspectivistefr
dc.typeArtigo
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.description.affiliationUniversidade Estadual Paulista
dc.description.affiliationUnespUniversidade Estadual Paulista
dc.identifier.doi10.1590/2237-2660101160
dc.identifier.scieloS2237-26602021000200206
dc.rights.accessRightsAcesso aberto
dc.identifier.fileS2237-26602021000200206.pdf
unesp.author.orcid0000-0001-8528-1793[1]
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