Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
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Data
2012-01-01
Autores
Rocha, Abel Luís Bernardo da [UNESP]
Título da Revista
ISSN da Revista
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Editor
Univ Federal Goias
Resumo
This paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based on theories and classifications of modes of the sixteenth and seventeenth centuries. At first, it approaches the matter of the multiple names and meanings of the modes and their potential allegorical references according to different authors. Secondly, it presents the analysis of two examples from his operas that deal with the representation of the death of Euridice and Clorinda (Orfeo & Il combattimento de Tancredi e Clorinda, respectively), correlating their harmonic procedures to the corresponding dramaturgical situations.
Descrição
Palavras-chave
Harmony in Monteverdi, Opera Conducting, Mode Theory in the 16th and 17th centuries, Music and dramaturgy
Como citar
Musica Hodie. Goiania Go: Univ Federal Goias, v. 12, n. 2, p. 24-30, 2012.