O efeito da voz do narrador nos contos Carried away e Monsieur les deux chapeaux, da escritora canadense Alice Munro
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Data
2007-02-28
Autores
Minaki, Simone Mayumi [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
Esta pesquisa tem como objetivo principal analisar, sob o ponto de vista da voz narrativa, dois contos: Monsieur Les Deux Chapeaux e Carried Away, presentes, respectivamente, nas coletâneas The Progress of Love (1986) e Open Secrets (1994), da escritora canadense Alice Munro, contista cuja obra tem como pano de fundo a vida rural e semi-rural de Ontário. Neste trabalho, busca-se mostrar, tomando como ponto de partida os conceitos teóricos de Genette [19--], as implicações e os efeitos da voz dos narradores dos contos em questão, caracterizados pelo uso de recursos em comum, como narração heterodiegética, tempo nãocronológico, memória e retrospecções. A atenção desta pesquisa é voltada também à presença de outras vozes, que fazem contraponto com a voz da instância narrativa. Essas vozes, possibilitando a criação de um universo polifônico, fazem-se presentes não apenas pelas personagens que se manifestam, mas também por intertextualidades e interdiscursividades, promotoras de efeitos diferenciados e geradoras de incertezas quanto ao sentido do relato. Além dos contos mencionados, é preciso lembrar que outras narrativas de The Progress of Love e Open Secrets foram incluídas neste estudo, a fim de que se pudesse demonstrar as estratégias mais comuns e peculiares adotadas por Munro na construção de suas histórias.
The aim of this work is to analyze, according to the point of view of the narrator's voice, two short stories - Monsieur les Deux Chapeaux and Carried Away, each one included, respectively, in the collections The Progress of Love (1986) and Open Secrets (1994). Both short stories were written by Alice Munro, a Canadian author whose works present as scenery the country and semi-country life of Ontario, her homeland. In this paper, the objective is to show, taking into consideration Genette's theory about narration, the effects of the narrators' voice of both compositions, which are marked by the use of resources in common, as heterodiegetic narration, memory and retrospection. Besides the narrator's voice, this work also calls attention to other voices which constitute Monsieur les Deux Chapeaux and Carried Away. Those voices, responsible for creating a polyphonic universe, are represented not only by the characters' voices, but also by intertextualities and interdiscoursivities, resources which provoke a series of effects, generating uncertainties in the meaning of the narration. Beyond Monsieur les Deux Chapeaux and Carried Away, its worth mentioning that this work also includes the study of other short stories of The Progress of Love and Open Secrets, in order to show the most relevant strategies used by Alice Munro in the construction of her narratives.
The aim of this work is to analyze, according to the point of view of the narrator's voice, two short stories - Monsieur les Deux Chapeaux and Carried Away, each one included, respectively, in the collections The Progress of Love (1986) and Open Secrets (1994). Both short stories were written by Alice Munro, a Canadian author whose works present as scenery the country and semi-country life of Ontario, her homeland. In this paper, the objective is to show, taking into consideration Genette's theory about narration, the effects of the narrators' voice of both compositions, which are marked by the use of resources in common, as heterodiegetic narration, memory and retrospection. Besides the narrator's voice, this work also calls attention to other voices which constitute Monsieur les Deux Chapeaux and Carried Away. Those voices, responsible for creating a polyphonic universe, are represented not only by the characters' voices, but also by intertextualities and interdiscoursivities, resources which provoke a series of effects, generating uncertainties in the meaning of the narration. Beyond Monsieur les Deux Chapeaux and Carried Away, its worth mentioning that this work also includes the study of other short stories of The Progress of Love and Open Secrets, in order to show the most relevant strategies used by Alice Munro in the construction of her narratives.
Descrição
Palavras-chave
Munro, Alice, Contos, Análise do discurso
Como citar
MINAKI, Simone Mayumi. O efeito da voz do narrador nos contos Carried away e Monsieur les deux chapeaux, da escritora canadense Alice Munro. 2007. 175 f. Dissertação (mestrado) - Universidade Estadual Paulista, Faculdade de Ciências e Letras de Araraquara, 2007.