As letras de rap do movimento hip-hop como desdobramento do processo de segregação sócio-espacial: antigamente quilombos, hoje periferia
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Data
2013-04-05
Autores
Santos, Luiz Henrique dos [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
O rap é um gênero musical de protesto que tem buscado valorizar a cultura popular do lugar onde é produzido: A periferia. Este trabalho foi o resultado da análise das letras de RAP produzidas no Brasil, pelos grupos musicais mais influentes do momento. Considerado por muitos como um movimento político, e por outros como apenas uma simples manifestação artística das culturas juvenis, é fato que esse gênero musical se tornou uma apreciação global. Durante a realização da pesquisa foi detectado a expansão do hip hop em lugares bastante incomuns do Brasil, como é o caso de uma aldeia indígena. Dar visibilidade para a identidade social e espacial das populações que habitam os espaços segregados foi um dos princípios norteadores dessa pesquisa. Por meio de análises das letras de rap tivemos como suporte a análise de discurso e conteúdo das músicas previamente selecionadas. Para comprovarmos esse processo optamos por utilizar um corpus teórico bem diversificado que contemplasse nossas inquietações. Foram utilizadas para fins de amostragem as letras de rap de 10 grupos musicais produzidas em diferentes contextos geográficos. A escolha dos grupos teve como norteador principal a diversidade dos lugares de onde estas composições foram elaboradas, tornando possível demonstrar que tais culturas juvenis urbanas já estão sendo absorvidas fora do eixo metropolitano Rio – São Paulo. Foi possível elaborar uma reflexão e análise sobre as práticas discursivas que estes grupos de rap contemporâneos estão adotando no Brasil, as quais são indissociáveis ao processo de produção desigual do espaço. A ideia do trabalho foi dialogar sobre os aspectos das condições de produção que estas músicas tiveram, bem como o resgate de suas memórias, com intenção de compreender os sentidos que essas narrativas constroem em relação à população que habita esses espaços segregados
Rap is a genre of protest that seeks to enhance the local popular culture of the place where it is produced: The low-income communities. This research is result of the analysis of the lyrics of RAP produced in Brazil by the most influential bands of the moment. Considered by many as a political movement, and by others as just a simple artistic expression of youth culture, is the fact that this musical genre has became an overall assessment. During the research developments was detected the expansion of hip hop in quite unusual places in Brazil, as in the case of an native village.Give visibility to the social and spatial identity of populations who inhabit segregated spaces was one of the guiding principles of this research. The method had as support the analysis of speech and content of lyrics previously selected. To prove this process we chose to use a very diverse body of theory that encompassed our inquietude. Lyrics of ten groups of rap produced in different geographical contexts were chosen for sampling. The groups’ choice had as main guiding the diversity of the places where these compositions were made, where it was possible to demonstrate that such urban youth cultures has already become absorbed off-axis metropolitan Rio - São Paulo. It was possible to develop a reflection and analysis of the discursive practices that these contemporary rap groups are adopting in Brazil, which are inextricably linked to the uneven production process of space. The idea of the study was a dialog about the aspects conditions of production that these songs were made, as well as the rescue of its memoirs, with the intention of understanding the meaning of these tales built in relation to the population that inhabits these segregated spaces
Rap is a genre of protest that seeks to enhance the local popular culture of the place where it is produced: The low-income communities. This research is result of the analysis of the lyrics of RAP produced in Brazil by the most influential bands of the moment. Considered by many as a political movement, and by others as just a simple artistic expression of youth culture, is the fact that this musical genre has became an overall assessment. During the research developments was detected the expansion of hip hop in quite unusual places in Brazil, as in the case of an native village.Give visibility to the social and spatial identity of populations who inhabit segregated spaces was one of the guiding principles of this research. The method had as support the analysis of speech and content of lyrics previously selected. To prove this process we chose to use a very diverse body of theory that encompassed our inquietude. Lyrics of ten groups of rap produced in different geographical contexts were chosen for sampling. The groups’ choice had as main guiding the diversity of the places where these compositions were made, where it was possible to demonstrate that such urban youth cultures has already become absorbed off-axis metropolitan Rio - São Paulo. It was possible to develop a reflection and analysis of the discursive practices that these contemporary rap groups are adopting in Brazil, which are inextricably linked to the uneven production process of space. The idea of the study was a dialog about the aspects conditions of production that these songs were made, as well as the rescue of its memoirs, with the intention of understanding the meaning of these tales built in relation to the population that inhabits these segregated spaces
Descrição
Palavras-chave
Urban geography, Geografia urbana, Rap (Música), Hip-hop (Cultura popular), Periferias urbanas, Segregação urbana, Brasilia (DF), Salvador (BA), Mato Grosso do Sul, Análise do discurso, São Paulo (SP), São Carlos (SP), Hortolândia (SP)
Como citar
SANTOS, Luiz Henrique dos. As letras de rap do movimento hip-hop como desdobramento do processo de segregação sócio-espacial: antigamente quilombos, hoje periferia. 2013. 103 f. Dissertação - (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Geociências e Ciências Exatas de Rio Claro, 2013.