THE FEMININE AND THE CATHOLIC MUSIC: BETWEEN PRACTICES AND REPRESENTATIONS
Nenhuma Miniatura disponível
Data
2018-01-01
Autores
Orientador
Coorientador
Pós-graduação
Curso de graduação
Título da Revista
ISSN da Revista
Título de Volume
Editor
Univ Estadual Paulista Julio Mesquita Filho, Fac Ciencias Humanas & Sociais
Tipo
Artigo
Direito de acesso
Acesso restrito
Resumo
Effeminate and feminine were recurrent expressions in documents and theological writings that sought to discipline musical practices in the Roman Catholic Church, characterizing the degeneration of the character through music. This paper seeks to understand the fundamental of this representation, as well as the female presence or absence in Brazilian musical practices. Data obtained in bibliographical and documentary research were analyzed from the references of memory and identity in Joel Candau, as well as of practices and representations, by Roger Chartier. The results point to attempts to silence the feminine in religious music literally and symbolically. However, the presence of women in Brazilian musical practices was recurrent, according to musical documents collected from various collections.
Descrição
Palavras-chave
Idioma
Português
Como citar
Historia E Cultura. Franca: Univ Estadual Paulista Julio Mesquita Filho, Fac Ciencias Humanas & Sociais, v. 7, n. 1, p. 50-74, 2018.