Rodrigues, Marcia Regina [UNESP]2018-11-262018-11-262017-01-01Olho D Agua. Sao Paulo: Univ Estadual Paulista, Fundacao Editora Unesp, v. 9, n. 1, p. 153-163, 2017.2177-3807http://hdl.handle.net/11449/163848In this text we try to show how the description of the characters in Endgame inhibits the effect of identification and defines, to a certain extent, the dramatic composition of the play which, devoid of progressive action, and therefore of tensions or conflicts, communicates Beckett's Nothing to be done in front of the destroyed world.153-163porBeckett's DramaturgyDramatic compositionDramatic characterTheatre of the absurdArtigoWOS:000425047100014Acesso restrito