Kubala, Ricardo Lobo [UNESP]Biaggi, Emerson Luiz de2014-12-032014-12-032013-01-01Musica Hodie. Goiania Go: Univ Federal Goias, v. 13, n. 1, p. 192-200, 2013.1676-3939http://hdl.handle.net/11449/111249This article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.192-200porBrazilian contemporary musicMusic for viola and orchestraMusical interpretationArtigoWOS:000323546700015Acesso abertoWOS000323546700015.pdf63834605264469420000-0001-6618-6328