Bastos, Manoel Dourado [UNESP]2014-05-272014-05-272009-01-01Tempo e Argumento, v. 1, n. 1, p. 136-154, 2009.2175-1803http://hdl.handle.net/11449/70920This text aims to argument about the historic relation between Mário de Andrade's project to Brazilian music (his national sound utopia, as Arnaldo Contier called it) and one of its possible realization with bossa nova. The text presents in general lines the Andradian project, its committed character, its incursions in the problems of popular and erudite and its filiations to the national obsession with formation. It exposes punctually the possible comprehension of bossa nova as a modernist project, suggesting a logicality of continuity in Brazilian musical experience.136-154porBossa novaBrazilian musical experienceMário de andrade(RE)arranjos de uma utopia do som nacional: A bossa nova como realização do projeto musical modernista de Mário de Andrade(RE)arrangements of a utopia of a national sound: Bossa nova as the realization of a modern musical project of Mario de AndradeArtigoAcesso aberto2-s2.0-848617559162-s2.0-84861755916.pdf