Barbosa, Carlos Alberto Sampaio [UNESP]2019-10-062019-10-062018-01-01Dialogos, v. 22, n. 2, p. 49-65, 2018.2177-29401415-9945http://hdl.handle.net/11449/189791The purpose of this article is to analyze the visual projection of Revolutionary Mexico in Brazil between 1910 and 1950. This projection occurs through photography, mural painting and engraving. These images constitute a visual heritage that constitutes a platform of political propaganda and legitimacy search of the Revolutionary Mexico. I analyze the images as a vector for the exchange of the Latin American imagination, made possible by publications, exhibitions and sociability networks of artists and intellectuals.49-65porEngravingMexican RevolutionMuralism.PhotographyArtigo10.4025/dialogos.v22i2.44490Acesso restrito2-s2.0-85054553965