O essencialismo na história de Ismael Nery
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Data
2017-07-25
Autores
Morais, Rosana de [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
Essa pesquisa analisa as relações existentes entre a série História de Ismael Nery e seu sistema filosófico, nomeado Essencialismo. Na série executada em 1932, e composta por cerca de dezesseis desenhos à nanquim, nota-se uma aproximação à estética do surrealismo, no entanto, suas produções desde 1926 parecem estar coadunadas ao seu sistema filosófico, e, evidenciar a estruturação de seu projeto estético. Através da iconologia foi analisada a ocorrência desse binômio: estética e filosofia; por meio da revisão bibliográfica foram atualizados seus dados biográficos a fim de elucidar incongruências historiográficas. Além das composições, foram também analisadas as poesias de Ismael Nery, as quais da mesma forma comprovam o pensamento filosófico do artista e refletem as pinturas como um espelho da representação artística. A fim de, compreender e comprovar o essencialismo na história de Ismael Nery, e, sua importância na construção do imaginário artístico no modernismo brasileiro. Como suporte teórico-metodológico utilizado para as análises contamos com os pressupostos de E. Panofsky.
This research investigate the existing relations between the series Ismael Nery’s History and his philosophical system, named Essentialism. In this 1932 series, constituted of about sixteen drawings in Indian ink, it can be noted a closeness to the aesthetics of surrealism, however, his productions since 1926 seemed to be connected to his philosophical system and they seem to indicate an structure of his aesthetic project. Through the iconology it was analyzed both his aesthetic and his philosophy; through the bibliographical revision his biographical dates were update aiming at revealing some historiographic inconsistencies. Besides the compositions, Ismael Nery’s poetry were also analyzed, which on the same way prove the philosophical thoughts of the artist and they reflect the paintings, as a mirror of the artistic representation. The essentialism in the history of Ismael Nery could be better understood and comprehended and, above all, his importance in the artistic imagery in the Brazilian Movement. As theoretical-methodological framework for the analyses it was used the concepts of E. Panofsky.
This research investigate the existing relations between the series Ismael Nery’s History and his philosophical system, named Essentialism. In this 1932 series, constituted of about sixteen drawings in Indian ink, it can be noted a closeness to the aesthetics of surrealism, however, his productions since 1926 seemed to be connected to his philosophical system and they seem to indicate an structure of his aesthetic project. Through the iconology it was analyzed both his aesthetic and his philosophy; through the bibliographical revision his biographical dates were update aiming at revealing some historiographic inconsistencies. Besides the compositions, Ismael Nery’s poetry were also analyzed, which on the same way prove the philosophical thoughts of the artist and they reflect the paintings, as a mirror of the artistic representation. The essentialism in the history of Ismael Nery could be better understood and comprehended and, above all, his importance in the artistic imagery in the Brazilian Movement. As theoretical-methodological framework for the analyses it was used the concepts of E. Panofsky.
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Ismael Nery, Modernismo, Essencialismo, Estética, Filosofia, Modernism, Essentialism, Aesthetic, Philosophy