Dorrit Harazim e o ofício de contar histórias: a prática do jornalismo narrativo e o processo de representação
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Data
2017-10-31
Autores
Quierati, Luciana
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Esta dissertação centra-se na análise da prática do jornalismo narrativo, mais especificamente no estudo da obra de uma de suas representantes, a jornalista brasileira Dorrit Harazim, que escreveu para alguns dos principais veículos de imprensa do Brasil e em 2016 completou 50 anos de carreira. Objetivando-se identificar seu modo de narrar, tomou-se por base o modelo da tripla mímesis de Paul Ricoeur (2010), que entende a narrativa como mediadora entre um momento de prefiguração, que antecede a escrita do texto e determina a sua forma, e um momento de refiguração, com a recepção do texto pelo leitor. Combinada ao tripé “lugar social - prática - escrita” de Michel de Certeau (2017) e às considerações de S. Elizabeth Bird e Robert W. Dardenne (2016) acerca dos conceitos de estória e registro, a teoria ricoeuriana forneceu aparato teórico-metodológico para o mapeamento das mudanças narrativas do gênero jornalístico ao longo do tempo e posterior análise da produção jornalística de Dorrit Harazim, veiculada em Veja, Jornal do Brasil, O Globo e piauí, no período de 1970 a 2016. Em termos documentais, o trabalho ainda apresenta uma edição com 50 textos da jornalista, em alusão às suas cinco décadas de atuação profissional, revisadas segundo o Novo Acordo Ortográfico da Língua Portuguesa e organizadas com notas de pesquisa para suas respectivas contextualizações.
This dissertation focuses on the analysis of the practice of narrative journalism, more specifically from the work of one of its representatives, the Brazilian journalist Dorrit Harazim, who wrote for some of the main media outlets in Brazil and completed 50 years of career in 2016. In order to identify her mode of narration, was taken as basis the Paul Ricoeur’s triple mimesis model (2010), which understands a narrative as mediator between a moment of prefiguration, which precedes a writing of the text and determines its form, and a moment of refiguration, with a reception of the text by the reader. Combined with the “social – practice – writing” tripod of Michel de Certeau (2017) and the considerations of S. Elizabeth Bird and Robert W. Dardenne (2016) on the concepts of story and chronicle, the Ricoeurian theory provided a theoretical and methodological apparatus for the mapping of the narrative changes of the journalistic genre over time and later analysis of the Dorrit Harazim’s journalistic production, published in Veja, Jornal do Brasil, O Globo and piauí, from 1970 to 2016. In documentary terms, an edition with 50 texts of the journalist, alluding to her five decades of professional activity, revised according to the New Orthographic Agreement of the Portuguese Language and organized with research notes for their respective contextualizations.
This dissertation focuses on the analysis of the practice of narrative journalism, more specifically from the work of one of its representatives, the Brazilian journalist Dorrit Harazim, who wrote for some of the main media outlets in Brazil and completed 50 years of career in 2016. In order to identify her mode of narration, was taken as basis the Paul Ricoeur’s triple mimesis model (2010), which understands a narrative as mediator between a moment of prefiguration, which precedes a writing of the text and determines its form, and a moment of refiguration, with a reception of the text by the reader. Combined with the “social – practice – writing” tripod of Michel de Certeau (2017) and the considerations of S. Elizabeth Bird and Robert W. Dardenne (2016) on the concepts of story and chronicle, the Ricoeurian theory provided a theoretical and methodological apparatus for the mapping of the narrative changes of the journalistic genre over time and later analysis of the Dorrit Harazim’s journalistic production, published in Veja, Jornal do Brasil, O Globo and piauí, from 1970 to 2016. In documentary terms, an edition with 50 texts of the journalist, alluding to her five decades of professional activity, revised according to the New Orthographic Agreement of the Portuguese Language and organized with research notes for their respective contextualizations.
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Palavras-chave
Jornalismo narrativo, Tripla mímesis, Dorrit Harazim, Imprensa brasileira, Narrative journalism, Triple mimesis, Brazilian Press