Trânsito e identidade em dois romances de Milton Hatoum
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Data
2018-04-27
Autores
Ghessi, Naiara Speretta [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
Este trabalho tem como intuito elaborar uma análise comparativa de Relato de um certo Oriente (1989) e Cinzas do Norte (2005), ambos publicados por Milton Hatoum, de modo a relacionar a fragmentação da voz narrativa que se faz presente nos dois romances com a articulação entre trânsito e imobilidade que delineia a trajetória de seus principais personagens. O ponto de partida deste trabalho consiste em refletir sobre as questões de trânsito e identidade presentes nas duas narrativas, tendo em vista que seus principais personagens são migrantes, errantes e expatriados e buscam fundar, por meio da escrita, um sentido para as suas existências. A reflexão aqui proposta faz-se importante na medida em que se multiplicam, na narrativa brasileira contemporânea, personagens à procura de si mesmos e de um sentido para suas vidas. O que se coloca em questão, nesse caso, é justamente o significado do trânsito e a dimensão relacional que se cria, de um lado, entre o modo como a representação do sujeito se dá a partir da construção do espaço e, de outro, entre a representação do espaço e a dimensão subjetiva que o constitui. Desse modo, a hipótese defendida por este trabalho é a de que a busca pela (re)construção da identidade motiva, nesses dois romances, a mobilidade de seus personagens por diferentes espaços.
This work aims to elaborate a comparative analysis of Relato de um certo Oriente (1989) and Cinzas do Norte (2005), both published by Milton Hatoum, in order to relate the fragmentation of the narrative voice, present in both novels, with the articulation between traffic and immobility which outlines the trajectory of the main characters. The starting point of this work consists of reflecting on matters of traffic and identity, present in both novels; bearing in mind that the books’ main characters are migrants, wanderers and expatriates; seeking to establish, through writing, a meaning for their existence. The importance of such reflection grows, as the search for oneself and the meaning of life is multiplied in the contemporary Brazilian narrative. The question that is raised, in this case, is the meaning of this traffic and the relational dimension that it creates, on one hand, between the way the subject is represented by the construction of space; and, on the other hand, between the representation of space and the subjective dimension that constitutes it. Therefore, the hypothesis defended by this work is that the search for the (re)construction of identity motivates, in these two novels, the mobility of their characters in different spaces
This work aims to elaborate a comparative analysis of Relato de um certo Oriente (1989) and Cinzas do Norte (2005), both published by Milton Hatoum, in order to relate the fragmentation of the narrative voice, present in both novels, with the articulation between traffic and immobility which outlines the trajectory of the main characters. The starting point of this work consists of reflecting on matters of traffic and identity, present in both novels; bearing in mind that the books’ main characters are migrants, wanderers and expatriates; seeking to establish, through writing, a meaning for their existence. The importance of such reflection grows, as the search for oneself and the meaning of life is multiplied in the contemporary Brazilian narrative. The question that is raised, in this case, is the meaning of this traffic and the relational dimension that it creates, on one hand, between the way the subject is represented by the construction of space; and, on the other hand, between the representation of space and the subjective dimension that constitutes it. Therefore, the hypothesis defended by this work is that the search for the (re)construction of identity motivates, in these two novels, the mobility of their characters in different spaces
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Literatura brasileira contemporânea, Espaço, Voz Narrativa, Identidade, Milton Hatoum, Contemporary Brazilian Narrative, Space, Narrative Voice, Identity