Human disfigurement and non identification in Endgame by Beckett
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Data
2017-01-01
Autores
Rodrigues, Marcia Regina [UNESP]
Título da Revista
ISSN da Revista
Título de Volume
Editor
Univ Estadual Paulista, Fundacao Editora Unesp
Resumo
In this text we try to show how the description of the characters in Endgame inhibits the effect of identification and defines, to a certain extent, the dramatic composition of the play which, devoid of progressive action, and therefore of tensions or conflicts, communicates Beckett's Nothing to be done in front of the destroyed world.
Descrição
Palavras-chave
Beckett's Dramaturgy, Dramatic composition, Dramatic character, Theatre of the absurd
Como citar
Olho D Agua. Sao Paulo: Univ Estadual Paulista, Fundacao Editora Unesp, v. 9, n. 1, p. 153-163, 2017.