Missa breve sobre ritmos populares brasileiros, de Aylton Escobar: considerações analíticas
Carregando...
Data
2020-07-02
Autores
Santana, Cintia Campos Santa Cruz [UNESP]
Título da Revista
ISSN da Revista
Título de Volume
Editor
Universidade Estadual Paulista (Unesp)
Resumo
Esta Dissertação consiste na análise da Missa Breve sobre Ritmos Populares Brasileiros (1964), do compositor paulista Aylton Escobar (1943), que foi escrita após um importante marco histórico da música sacra, o Concílio Vaticano II. Além da poética e de procedimentos composicionais específicos, são observados: idioma harmônico-melódico; construções texturais; estruturas formais; relacionamento entre texto e elementos musicais; a presença da música brasileira nessa Missa; e a sobreposição de elementos de diferentes práticas culturais, tomando como base o conceito de hibridismo. Ao lado da análise, propõe-se uma contextualização biográfica do compositor por intermédio de suas obras corais. Esse objetivo foi fundamentado em diálogos com Escobar realizados entre novembro de 2019 e abril de 2020, e parte dessa entrevista consta como apêndice da Dissertação.
This Master's degree theses consists of the analysis of the Missa Breve sobre Ritmos Populares Brasileiros (1964) by the Paulista composer Aylton Escobar (1943), which was written after an important landmark of sacred music, the Second Vatican Council. In addition to the poetics and specific compositional procedures, the following aspects are observed: harmonic-melodic language, textural constructions, formal structures, the relationship between text and musical elements, the presence of Brazilian music in this Mass and the overlapping elements of different cultural practices, based on the concept of hybridity. Besides the analysis, it is proposed a biographical contextualization of the composer through his choral works. This objective was based on dialogues with Escobar himself held between November 2019 and April 2020, and part of this interview appears as an appendix to this Master's degree theses.
This Master's degree theses consists of the analysis of the Missa Breve sobre Ritmos Populares Brasileiros (1964) by the Paulista composer Aylton Escobar (1943), which was written after an important landmark of sacred music, the Second Vatican Council. In addition to the poetics and specific compositional procedures, the following aspects are observed: harmonic-melodic language, textural constructions, formal structures, the relationship between text and musical elements, the presence of Brazilian music in this Mass and the overlapping elements of different cultural practices, based on the concept of hybridity. Besides the analysis, it is proposed a biographical contextualization of the composer through his choral works. This objective was based on dialogues with Escobar himself held between November 2019 and April 2020, and part of this interview appears as an appendix to this Master's degree theses.
Descrição
Palavras-chave
Musica - Analise, apreciação, Escobar, Aylton, 1943-, Música sacra, Musica coral, Análise musical, Aylton Escobar, Música sacra, Música coral brasileira, Missa breve, Musical analysis, Aylton Escobar, Sacred music, Brazilian choral music, Short mass