A construção da figura de Camilo Castelo Branco na obra Fanny Owen, de Agustina Bessa-Luís
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Data
2022-02-04
Autores
Nonato, Brenda de Oliveira
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Universidade Estadual Paulista (Unesp)
Resumo
Esta dissertação propõe uma análise da elaboração da figura de Camilo Castelo Branco composta no livro Fanny Owen, de Agustina Bessa-Luís, publicado em 1979. Pretendemos investigar na obra da autora, de que modo a personagem criada a partir de uma história verídica e do jogo intertextual com narrativas de Camilo Castelo Branco, é trabalhada e reinterpretada a fim de se propor uma nova perspectiva dos fatos. Para tanto, busca-se demonstrar como acontece a ficcionalização da História nesta obra agustiniana a partir de recursos da metaficção historiográfica estabelecidos pela ensaísta canadense Linda Hutcheon (1990). A partir de estudos sobre as semelhanças literárias entre Agustina Bessa-Luís e Camilo Castelo Branco é possível observar como a vida e obra do romancista exerceram imenso fascínio sobre a escritora portuguesa. Nesse caso, o propósito desta dissertação é compreender como Agustina Bessa-Luís utiliza-se de mecanismos estéticos em sua narrativa para reescrever acontecimentos históricos a partir de um diálogo constante entre história e ficção. Por fim, a base teórica para a realização desta pesquisa inclui os estudos de Maria de Fátima Marinho (1998) acerca do romance histórico em Portugal e a respeito da intertextualidade, Júlia Kristeva (2005) e Tiphaine Samoyault (2008).
This dissertation proposes an analysis of the elaboration of the figure of Camilo Castelo Branco composed in the book Fanny Owen, by Agustina Bessa-Luís, published in 1979. We intend to investigate in the author's work, how the character created from a true story and intertextual play with narratives by Camilo Castelo Branco, is worked and reinterpreted in order to propose a new perspective on the facts. Therefore, we seek to demonstrate how the fictionalization of History takes place in this Augustinian work, based on historiographical metafiction resources established by Canadian essayist Linda Hutcheon (1990). Based on studies on the literary similarities between Agustina Bessa-Luís and Camilo Castelo Branco, it is possible to observe how the life and work of the novelist exerted immense fascination on the Portuguese writer. In this case, the purpose of this dissertation is to understand how Agustina Bessa-Luís uses aesthetic mechanisms in her narrative to rewrite historical events from a constant dialogue between history and fiction. Finally, the theoretical basis for this research includes the studies by Maria de Fátima Marinho (1998) about the historical novel in Portugal and about intertextuality, Júlia Kristeva (2005) and Tiphaine Samoyault (2008).
This dissertation proposes an analysis of the elaboration of the figure of Camilo Castelo Branco composed in the book Fanny Owen, by Agustina Bessa-Luís, published in 1979. We intend to investigate in the author's work, how the character created from a true story and intertextual play with narratives by Camilo Castelo Branco, is worked and reinterpreted in order to propose a new perspective on the facts. Therefore, we seek to demonstrate how the fictionalization of History takes place in this Augustinian work, based on historiographical metafiction resources established by Canadian essayist Linda Hutcheon (1990). Based on studies on the literary similarities between Agustina Bessa-Luís and Camilo Castelo Branco, it is possible to observe how the life and work of the novelist exerted immense fascination on the Portuguese writer. In this case, the purpose of this dissertation is to understand how Agustina Bessa-Luís uses aesthetic mechanisms in her narrative to rewrite historical events from a constant dialogue between history and fiction. Finally, the theoretical basis for this research includes the studies by Maria de Fátima Marinho (1998) about the historical novel in Portugal and about intertextuality, Júlia Kristeva (2005) and Tiphaine Samoyault (2008).
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Agustina Bessa-Luís, Fanny Owen, Camilo Castelo Branco, Ficção, Fiction