Jogo ficcional: a estética de Lourenço Mutarelli
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Data
2022-02-14
Autores
Ferreira, Cibele Barbosa
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Universidade Estadual Paulista (Unesp)
Resumo
O trabalho propõe uma análise da estética de Lourenço Mutarelli a partir do reconhecimento da expressão de algumas linhas de força e suas reincidências em diferentes formas artísticas por meio da intersecção entre elementos visuais e verbais para a construção de sentido narrativo. Em um primeiro momento, privilegia-se a análise de suas histórias em quadrinhos e de procedimentos artísticos utilizados no surgimento de perspectivas reincidentes em suas obras, tais como a representação da ruína e do vazio, bem como o dinamismo propiciado pela inserção do enigma e da manipulação da memória como recursos composicionais. Posteriormente, contextualiza-se a persistência dessas perspectivas na dinâmica do jogo e seus desdobramentos formais nos primeiros romances do autor, a qual encontra na construção do ponto de vista seu pleno desenvolvimento. Por fim, investigam-se as ressonâncias das linhas de força identificadas a partir da mudança formalizada na opção pela narração heterodiegética, sobretudo no romance "A arte de produzir efeito sem causa" (2008). A escolha por determinada atitude narrativa, a permanência do vazio e da necessidade de seu preenchimento pela reiteração de afetos, bem como sua expressão em palavras e imagens e o protagonismo da linguagem ressentida, são pistas para a compreensão da instauração de uma estética circular que, por fim, sugere uma transformação das condições representativas da literatura brasileira contemporânea.
The purpose of this paper is to analyze the Lourenço Mutarelli’s aesthetics based on the recognition of the some power lines and their recurrence in different artistic forms through the intersection between visual and verbal elements for the construction of narrative meaning. In a first moment, the analysis of his comics and the artistic procedures used in the emergence of recurrent perspectives in his works is privileged, such as the representation of ruin and emptiness, as well as the dynamic propitiated by the insertion of the enigma and the manipulation of memory as compositional resources. Later, these perspectives persistence is contextualized in the dynamics of the game and its formal unfolding in the author's first novels, which finds its full development in the construction of the point of view. Finally, we investigate the proposed power lines resonances from the change formalized in the option for heterodiegetic narration, especially in the novel A arte de produzir efeito sem causa (2008). The choice of a certain narrative attitude, the permanence of emptiness and the need to fill it through affection reiteration, as well as its expression in words and images and the protagonism of resentful language, are clues for the understanding of a circular aesthetic that ultimately suggests a transformation of the representative conditions of contemporary Brazilian literature.
The purpose of this paper is to analyze the Lourenço Mutarelli’s aesthetics based on the recognition of the some power lines and their recurrence in different artistic forms through the intersection between visual and verbal elements for the construction of narrative meaning. In a first moment, the analysis of his comics and the artistic procedures used in the emergence of recurrent perspectives in his works is privileged, such as the representation of ruin and emptiness, as well as the dynamic propitiated by the insertion of the enigma and the manipulation of memory as compositional resources. Later, these perspectives persistence is contextualized in the dynamics of the game and its formal unfolding in the author's first novels, which finds its full development in the construction of the point of view. Finally, we investigate the proposed power lines resonances from the change formalized in the option for heterodiegetic narration, especially in the novel A arte de produzir efeito sem causa (2008). The choice of a certain narrative attitude, the permanence of emptiness and the need to fill it through affection reiteration, as well as its expression in words and images and the protagonism of resentful language, are clues for the understanding of a circular aesthetic that ultimately suggests a transformation of the representative conditions of contemporary Brazilian literature.
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Literatura brasileira, Ficção contemporânea, História em quadrinhos, Lourenço Mutarelli, Brazilian literature