Música e identidade na América Latina: o caso de Agustín Barrios Mangoré
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Data
2012-06-27
Autores
Eid, Félix Ceneviva [UNESP]
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Universidade Estadual Paulista (Unesp)
Resumo
A presente dissertação tem como objeto de estudo a música latino-americana que, estando vinculada a preceitos da música européia ocidental, foi inspirada em músicas populares latinoamericanas, o que a caracteriza como música híbrida. Devido à magnitude deste objeto, foi estudado o caso específico do violonista e compositor paraguaio Agustín Barrios (1885-1944), que compôs, para o violão de concerto, peças inspiradas em expressões musicais populares de diversas regiões e países da América Latina. Com o propósito de compreender melhor as características da música popular que estas peças mantêm quando levadas às salas de concerto, foi analisada uma obra dele, Cueca, a partir de um estudo da dança popular na qual foi inspirada. Na dissertação também foi apresentado, por meio de pesquisa bibliográfica, o contexto sóciocultural e histórico em que surgiu esta música híbrida na América Latina, assim como a sua relevância na atualidade. A partir disto foram propostos alguns elementos de reflexão que podem servir nos campos da interpretação, ensino/aprendizagem, composição e pesquisa de músicas híbridas latino-americanas
The object of study of this dissertation is the music in Latin America that, being linked to precepts of West European music, was inspired by Latin American popular music, which characterizes it as being hybrid. Due to the magnitude of such object, the specific case of Paraguayan guitarist and composer Agustín Barrios (1885-1944) was studied. Barrios composed, for the concert guitar, works inspired by popular music expressions of many different regions and countries of Latin America. Aiming to better understand the characteristics of the popular music that these pieces keep when taken to the concert halls, a piece by this composer, Cueca, was analyzed. This analysis was based on a study of the popular dance that inspired the work. This dissertation also presents, through a bibliographical research, the social, cultural and historical context in which this hybrid music originated in Latin America, as well as its relevance in the present. Finally, some points of reflection were brought forward, aiming to contribute in the fields of interpretation, teaching/learning, composition and research of Latin American hybrid music
The object of study of this dissertation is the music in Latin America that, being linked to precepts of West European music, was inspired by Latin American popular music, which characterizes it as being hybrid. Due to the magnitude of such object, the specific case of Paraguayan guitarist and composer Agustín Barrios (1885-1944) was studied. Barrios composed, for the concert guitar, works inspired by popular music expressions of many different regions and countries of Latin America. Aiming to better understand the characteristics of the popular music that these pieces keep when taken to the concert halls, a piece by this composer, Cueca, was analyzed. This analysis was based on a study of the popular dance that inspired the work. This dissertation also presents, through a bibliographical research, the social, cultural and historical context in which this hybrid music originated in Latin America, as well as its relevance in the present. Finally, some points of reflection were brought forward, aiming to contribute in the fields of interpretation, teaching/learning, composition and research of Latin American hybrid music
Descrição
Palavras-chave
Barrios Mangore, Agustin, 1885-1944, Música - América Latina, Musica popular, Cueca (Dança), Music, Popular music, Cueca (Dance)
Como citar
EID, Félix Ceneviva. Música e identidade na América Latina: o caso de Agustín Barrios Mangoré. 2012. xiii, 133 f. Dissertação (mestrado) - Universidade Estadual Paulista, Instituto de Artes, 2012.