Santinho do pau oco: sensualidade e religiosidade nos romances do Padre Antônio da Fonseca
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Data
2005-12-19
Autores
Alfena, Gelise [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Esta dissertação trata da discussão sobre alguns romances do padre Antônio da Fonseca Soares, autor que viveu por volta do século XVII. Os romances discutidos constam do manuscrito 392 da Sala de Reservados da Biblioteca Geral da Universidade de Coimbra. Possuem um modo de expressão sensual-religioso, característica que se pode constatar a partir do léxico utilizado pelo autor e das estruturas sintáticas ambíguas encontradas em seus romances. O objetivo deste trabalho é tornar públicos os poemas de Fonseca, tomando-se como base alguns critérios da crítica textual e considerando-se a possibilidade da existência de mais de um autor com o mesmo nome, no seu tempo. Embora não se comprove a autoria, a opção feita foi a de perseguir a temática sensual e religiosa que perpassa os poemas, que são compostos segundo a prescrição de escrita do Barroco português. Quanto à metodologia e à organização, o trabalho está dividido em a) a pesquisa sobre o nome Antônio da Fonseca; b) a leitura e tratamento dos romances a partir dos manuscritos; c) atualização da ortografia d) contextualização histórica, visando a estabelecer um diálogo entre a obra do Padre e os referenciais literários de seu tempo; e) seleção dos romances de temática sensual; f) análise de três romances; e g) preparação de uma antologia, comentando características sensuais e religiosas empregadas pelo autor. A conclusão à qual se chegou é que a temática sensualidade / religiosidade, explorada pelo Padre Antônio da Fonseca, atua em consonância com a estética do Barroco, evidenciando a figura da antítese como o mais rico recurso estético deste rol de romances aqui trabalhados.
This dissertation treats about some novels written by the priest Antônio da Fonseca Soares, author who lived around the seventeenth century. The novels make part of the manuscript 392 of the Private Room of Coimbra University General Library, and they have a sensual-religous character, characteristic that can be noticed from the lexicon used by the author, and the ambiguous structures found out in his novels. The greatest scope of this work is becoming public the poems composed by Fonseca, basing on some criteria of textual review and considering the possibility of the existence of more than one author with the same name, specifically in that time. Although it's not proved the autorship, the option chosen was pursuing the sensual and religious thematic that are in those poems, which are composed according to the written prescription of the Portuguese (from Portugal) Baroque. As for the methodology and the organization, the work was divided in: a)the research about Antônio da Fonseca's name; b)reading and dealing with the novels from the manuscripts; c)updating the ortography; d)historical contextualization aiming to stablish a dialogue between the priest's work and the literary references from his time in the composition of the poems; e)Selection of the poems with the sensual thematic; f)analysis of three novels; g)preparation of an anthology making comments about the sensual and religious characteristics used by the author; It was possible to conclude that the sensuality/religiosity thematic, explored by the priest Antônio da Fonseca, acts together with the Baroque, showing up the antithesis figure as the richest aesthetic resource among the roll of novels which were developed in this work.
This dissertation treats about some novels written by the priest Antônio da Fonseca Soares, author who lived around the seventeenth century. The novels make part of the manuscript 392 of the Private Room of Coimbra University General Library, and they have a sensual-religous character, characteristic that can be noticed from the lexicon used by the author, and the ambiguous structures found out in his novels. The greatest scope of this work is becoming public the poems composed by Fonseca, basing on some criteria of textual review and considering the possibility of the existence of more than one author with the same name, specifically in that time. Although it's not proved the autorship, the option chosen was pursuing the sensual and religious thematic that are in those poems, which are composed according to the written prescription of the Portuguese (from Portugal) Baroque. As for the methodology and the organization, the work was divided in: a)the research about Antônio da Fonseca's name; b)reading and dealing with the novels from the manuscripts; c)updating the ortography; d)historical contextualization aiming to stablish a dialogue between the priest's work and the literary references from his time in the composition of the poems; e)Selection of the poems with the sensual thematic; f)analysis of three novels; g)preparation of an anthology making comments about the sensual and religious characteristics used by the author; It was possible to conclude that the sensuality/religiosity thematic, explored by the priest Antônio da Fonseca, acts together with the Baroque, showing up the antithesis figure as the richest aesthetic resource among the roll of novels which were developed in this work.
Descrição
Palavras-chave
Filologia, Literatura barroca, Religiosidade na literatura, Sensualidade na literatura, Philology, Baroque literature, Religiosity, Sensuality
Como citar
ALFENA, Gelise. Santinho do pau oco: sensualidade e religiosidade nos romances do Padre Antônio da Fonseca. 2005. 150 f. Dissertação (mestrado) - Universidade Estadual Paulista, Faculdade de Ciências e Letras de Assis, 2005.