Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)

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dc.contributor.authorDA COSTA, Everaldo Batista
dc.contributor.authorTirapeli, Percival [UNESP]
dc.contributor.authorMoncada, José Omar
dc.contributor.institutionUniversidade de Brasília (UnB)
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.contributor.institutionUniversidad Nacional Autónoma de México
dc.date.accessioned2023-03-02T12:25:38Z
dc.date.available2023-03-02T12:25:38Z
dc.date.issued2022-09-05
dc.description.abstractThe artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters.en
dc.description.affiliationUniversidade de Brasília, DF
dc.description.affiliationUniversidade Estadual Paulista, SP
dc.description.affiliationUniversidad Nacional Autónoma de México
dc.description.affiliationUnespUniversidade Estadual Paulista, SP
dc.format.extent1-44
dc.identifierhttp://dx.doi.org/10.1590/1982-02672022v30e26
dc.identifier.citationAnais do Museu Paulista, v. 30, p. 1-44.
dc.identifier.doi10.1590/1982-02672022v30e26
dc.identifier.issn1982-0267
dc.identifier.issn0101-4714
dc.identifier.scopus2-s2.0-85137363567
dc.identifier.urihttp://hdl.handle.net/11449/242248
dc.language.isospa
dc.relation.ispartofAnais do Museu Paulista
dc.sourceScopus
dc.subjectBaroque architecture
dc.subjectChurch
dc.subjectDecoloniality
dc.subjectIndigenous
dc.subjectLatin America
dc.titleOriginal decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)en
dc.titleDecolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México)es
dc.typeArtigo
unesp.author.orcid0000-0003-0734-6680[1]
unesp.author.orcid0000-0001-5041-9641[2]
unesp.author.orcid0000-0002-7278-6407[3]

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