Experimentalism: Aesthetics, Musicology and Conceptual Retroactivity

Página do item simplificado
dc.contributor.authorBorges Pena, Eder Wilker [UNESP]
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2019-10-04T11:55:39Z
dc.date.available2019-10-04T11:55:39Z
dc.date.issued2018-09-01
dc.description.abstractThe following work sought to establish a discussion around the definition and acceptance of the concept of experimentalism in music and its various forms of presentation, as well as its opposition to the concept of vanguard. For this, we used writings by composers and theorists on the concept of experimentalism and a review of the aesthetical dictates of various concepts. Next, we present a discussion about the applicability of the concept of experimentalism in aesthetic movements of the first half of the twentieth century and a reflection on the need for conceptual restructuring in musicological studies to certain practices.en
dc.description.affiliationUniv Estadual Paulista, Sao Paulo, SP, Brazil
dc.description.affiliationUnespUniv Estadual Paulista, Sao Paulo, SP, Brazil
dc.format.extent71-91
dc.identifierhttp://dx.doi.org/10.20504/opus2018c2404
dc.identifier.citationOpus. Campinas: Assoc Nac Pesquisa & Pos-graduacao & Musica, v. 24, n. 3, p. 71-91, 2018.
dc.identifier.doi10.20504/opus2018c2404
dc.identifier.issn1517-7017
dc.identifier.urihttp://hdl.handle.net/11449/184188
dc.identifier.wosWOS:000454223600005
dc.language.isopor
dc.publisherAssoc Nac Pesquisa & Pos-graduacao & Musica
dc.relation.ispartofOpus
dc.rights.accessRightsAcesso restrito
dc.sourceWeb of Science
dc.subjectExperimentalism
dc.subjectFuturism
dc.subjectDada
dc.subjectErik Satie
dc.subjectHenry Cowell
dc.titleExperimentalism: Aesthetics, Musicology and Conceptual Retroactivityen
dc.typeArtigo
dcterms.rightsHolderAssoc Nac Pesquisa & Pos-graduacao & Musica

Arquivos

Coleções

Artigos