The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917)

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dc.contributor.authorNovaes, Sylvia Caiuby
dc.contributor.authorCunha, Edgar Teodoro da [UNESP]
dc.contributor.authorHenley, Paul
dc.contributor.institutionUniversidade de São Paulo (USP)
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.contributor.institutionUniv Manchester
dc.date.accessioned2018-11-28T04:04:18Z
dc.date.available2018-11-28T04:04:18Z
dc.date.issued2017-01-01
dc.description.abstractAlthough rarely mentioned in English-language texts, Rituais de Festas Bororo has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917, the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis.en
dc.description.affiliationUniv Sao Paulo, Anthropol, BR-05508 Sao Paulo, Brazil
dc.description.affiliationUniv Estadual Paulista, Anthropol, Sao Paulo, Brazil
dc.description.affiliationUniv Manchester, Granada Ctr Visual Anthropol, Visual Anthropol, Manchester M13 9PL, Lancs, England
dc.description.affiliationUnespUniv Estadual Paulista, Anthropol, Sao Paulo, Brazil
dc.description.sponsorshipConselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
dc.description.sponsorshipFundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
dc.description.sponsorshipLeverhulme Trust
dc.description.sponsorshipIdCNPq: 308257/2014-6
dc.description.sponsorshipIdFAPESP: 2008/56438-6
dc.format.extent105-146
dc.identifierhttp://dx.doi.org/10.1080/08949468.2017.1276383
dc.identifier.citationVisual Anthropology. Abingdon: Routledge Journals, Taylor & Francis Ltd, v. 30, n. 2, p. 105-146, 2017.
dc.identifier.doi10.1080/08949468.2017.1276383
dc.identifier.fileWOS000395121000001.pdf
dc.identifier.issn0894-9468
dc.identifier.lattes6539261486388368
dc.identifier.orcid0000-0001-9749-6126
dc.identifier.urihttp://hdl.handle.net/11449/165487
dc.identifier.wosWOS:000395121000001
dc.language.isoeng
dc.publisherRoutledge Journals, Taylor & Francis Ltd
dc.relation.ispartofVisual Anthropology
dc.relation.ispartofsjr0,150
dc.rights.accessRightsAcesso aberto
dc.sourceWeb of Science
dc.titleThe First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917)en
dc.typeArtigo
dcterms.licensehttp://journalauthors.tandf.co.uk/permissions/reusingOwnWork.asp
dcterms.rightsHolderRoutledge Journals, Taylor & Francis Ltd
unesp.author.lattes6539261486388368[2]
unesp.author.orcid0000-0002-7415-2010[1]
unesp.author.orcid0000-0001-9749-6126[2]

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