Memória audiovisual da reforma psquiátrica no Brasil
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Data
2012-08-22
Autores
Callile, Augusto Sérgio [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Estuda-se a maneira como o Cinema Documentário narrou os acontecimentos da Reforma Psiquiátrica no Brasil em sua primeira década (1979-1989). Seis documentários brasileiros considerados emblemáticos, com relação ao início da Reforma: Em Nome da Razão de Helvécio Ratton, Artur Bispo do Rosário - O Prisioneiro da Passagem, de Hugo Denizart, a trilogia Imagens do Inconsciente de Leon Hirszman e o “Hospital Anchieta, produção coletiva – foram estudados. Trata-se de estudo de natureza qualitativa com análise documental orientada pela perspectiva de Marc Ferro. Os documentários problematizam os acontecimentos fundadores da construção de novas práticas e saberes no campo da Saúde Mental, que propiciaram uma nova maneira de olhar, cuidar e organizar uma rede de serviços de saúde mental. A análise destes documentários revela uma intenção de seus atores por uma intervenção cultural expressa nas questões históricas, políticas, artísticas e culturais que trazem para o âmbito da reforma psiquiátrica no Brasil, ampliando este debate para um público mais amplo. Pode-se dizer que estes documentários influenciaram e foram influenciados pelo movimento da reforma psiquiátrica no Brasil.Trazem, ainda para um primeiro plano a importância do cinema documentário no registro, construção e memória da história da reforma psiquiátrica brasileira
The form how Documentary Cinema narrated the events of Psychiatric Reform in Brazil in its first decade (1979-1989) is studied. Six Brazilian documentaries considered emblematic concerning of beginning of the Reform – “Em Nome da Razão” [In the name of Reason] by Hélvecio Ratton, “Artur Bispo do Rosário – Prisioneiro da Passagem” [ Artur Rosary Bishop – The Passage Prisoner] by Hugo Denizart, the trilogy “Imagens do Inconsciente” [ Image of the Unconscious] by Leon Hirszman and “Hospital Anchieta” [Anchieta’s Hospital], a collective production – were studied. This qualitative study with document analysis is guided by the perspective of Marc Ferro. The documentaries question the events that founded the building of novel practices and Knowledge in the field of Mental Health, which led to a new way of considering, caring and organizing a service net in mental health. The analysis of the content of considering, caring and organizing a service net in mental health. The analysis of the content of such documentaries reveals that their authors aimed at an express cultural intervention in historical, in political, artistic and cultural issues that those films bring to the psychiatric reform environment in Brazil, extending this discussion to a broader audience. These documentaries influenced and were influenced by the Psychiatric Reform movement in Brazil. In addition, they foreground the importance of the Documentary Cinema in the record, building and memory of the history of Brasilian psychiatric reform
The form how Documentary Cinema narrated the events of Psychiatric Reform in Brazil in its first decade (1979-1989) is studied. Six Brazilian documentaries considered emblematic concerning of beginning of the Reform – “Em Nome da Razão” [In the name of Reason] by Hélvecio Ratton, “Artur Bispo do Rosário – Prisioneiro da Passagem” [ Artur Rosary Bishop – The Passage Prisoner] by Hugo Denizart, the trilogy “Imagens do Inconsciente” [ Image of the Unconscious] by Leon Hirszman and “Hospital Anchieta” [Anchieta’s Hospital], a collective production – were studied. This qualitative study with document analysis is guided by the perspective of Marc Ferro. The documentaries question the events that founded the building of novel practices and Knowledge in the field of Mental Health, which led to a new way of considering, caring and organizing a service net in mental health. The analysis of the content of considering, caring and organizing a service net in mental health. The analysis of the content of such documentaries reveals that their authors aimed at an express cultural intervention in historical, in political, artistic and cultural issues that those films bring to the psychiatric reform environment in Brazil, extending this discussion to a broader audience. These documentaries influenced and were influenced by the Psychiatric Reform movement in Brazil. In addition, they foreground the importance of the Documentary Cinema in the record, building and memory of the history of Brasilian psychiatric reform
Descrição
Palavras-chave
Saúde pública, Serviços de saude mental comunitaria, Reforma psiquiátrica - Recursos audiovisuais - Brasil, Cinematografia - Aplicações cientificas, Documentario (Cinema), Public health
Como citar
CALLILE, Augusto Sérgio. Memória audiovisual da reforma psquiátrica no Brasil. 2012. 106 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Medicina de Botucatu, 2012.