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dc.contributor.authorGardesani, Andre [UNESP]
dc.date.accessioned2019-10-04T12:14:41Z
dc.date.available2019-10-04T12:14:41Z
dc.date.issued2019-01-01
dc.identifier.citationOlho D Agua. Sao Paulo: Univ Estadual Paulista, Fundacao Editora Unesp, v. 11, n. 1, p. 50-63, 2019.
dc.identifier.issn2177-3807
dc.identifier.urihttp://hdl.handle.net/11449/184576
dc.description.abstractThis article aims to explore convergences and conflicts between elements belonging to the ancient (Greco-Roman and Christian) and modern cultures in Baudelaire's poetry, as well as demonstrating how this dialogue works as a means to strengthen the characteristics of modernity itself. The study of the relationship between history and time and mapping the quarrel between ancient and modern precedes the analysis of the interpenetration between the ancient and modern in the poems The Swan, The Seven Old Men and The Little Old Women. The method of parallel passages, founded on repetition of concepts and consistency, emerges as an important tool to achieve the probable motivation to fuse the ancient and the modern.en
dc.format.extent50-63
dc.language.isopor
dc.publisherUniv Estadual Paulista, Fundacao Editora Unesp
dc.relation.ispartofOlho D Agua
dc.sourceWeb of Science
dc.subjectBaudelaire
dc.subjectPoetry
dc.subjectQuarrel between Ancient and Modern
dc.subjectTradition and Rupture
dc.titleConvergences and Conflicts between the Ancient and the Modern in three Baudelaire's Poemsen
dc.typeArtigo
dcterms.rightsHolderUniv Estadual Paulista, Fundacao Editora Unesp
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.description.affiliationUniv Estadual Paulista Julio de Mesquita Filho Un, Programa Posgrad Letras, BR-15054000 Sao Jose Do Rio Preto, SP, Brazil
dc.description.affiliationUnespUniv Estadual Paulista Julio de Mesquita Filho Un, Programa Posgrad Letras, BR-15054000 Sao Jose Do Rio Preto, SP, Brazil
dc.identifier.wosWOS:000475991300004
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