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dc.contributor.authorDuarte, Fernando Lacerda Simões [UNESP]
dc.date.accessioned2022-04-28T18:59:26Z
dc.date.available2022-04-28T18:59:26Z
dc.date.issued2013-12-01
dc.identifier.citationMusica Hodie, v. 13, n. 2, p. 52-66, 2013.
dc.identifier.issn1676-3939
dc.identifier.urihttp://hdl.handle.net/11449/220080
dc.description.abstractIn this paper, we asked whether a new interpretation given by Cardinal Joseph Ratzinger - Benedict XVI - to Vatican Council II, the Hermeneutics of Continuity can have an impact or have impacted yet the musical practice of the Roman Catholic liturgy. According to the Hermeneutics of Continuity, the council shall not constitute a break with previous liturgical practices, but a continuation of an organic movement. The analyses of data obtained from the literature and documentary procedures presented here were based on social autopoietic systems theory by Niklas Luhmann and on the concept of invented tradition by Eric Hobsbawm. We conclude that the Hermeneutics of Continuity has proved to be more a reform of the reform than the reconciliation between two musical and liturgical practices.en
dc.format.extent52-66
dc.language.isopor
dc.relation.ispartofMusica Hodie
dc.sourceScopus
dc.subjectAutopoietic social systems
dc.subjectHermeneutics of continuity
dc.subjectLiturgical music - Roman Catholic Church
dc.subjectVatican Council II
dc.titleReinterpretando o Concílio Vaticano II : Impactos da Hermenêutica da Continuidade na música litúrgica católica do presentept
dc.title.alternativeRethinking Vatican Council II: Impacts of the Hermeneutics of Continuity in Catholic liturgical music todayen
dc.typeArtigo
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.description.affiliationInstituto de Artes UNESP, São Paulo, SP
dc.description.affiliationUnespInstituto de Artes UNESP, São Paulo, SP
dc.identifier.scopus2-s2.0-84894202886
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