Refusal to formation: A discussion on resentment, music, experience and sensitivity

dc.contributor.authorStefanuto, Jéssica Raquel Rodeguero
dc.contributor.authorBueno, Sinésio Ferraz [UNESP]
dc.contributor.institutionFundação Educacional de Penápolis
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.date.accessioned2022-04-30T22:56:32Z
dc.date.available2022-04-30T22:56:32Z
dc.date.issued2019-01-01
dc.description.abstractThe present work has the objective of discussing that to a given organization of the culture and the possibilities of its relation with the subjects corresponds, subjectively, a constellation of affections understood as resentment. This, in turn, manifests itself as an impediment to sensitivity and openness proper to cultural formation. Emphasis is placed on the refractory stance towards specifically musical training. To foster this discussion, some works by Theodor Adorno, reader of F. Nietzsche, S. Freud and K. Marx, are fundamental references. It is hoped to contribute to the understanding of some regressive threats contained in the culture.en
dc.description.affiliationFundação Educacional de Penápolis
dc.description.affiliationUniversidade Estadual Paulista Júlio de Mesquita Filho
dc.description.affiliationUnespUniversidade Estadual Paulista Júlio de Mesquita Filho
dc.format.extent1-21
dc.identifierhttp://dx.doi.org/10.1590/S1413-24782019240033e240033
dc.identifier.citationRevista Brasileira de Educacao, v. 24, p. 1-21.
dc.identifier.doi10.1590/S1413-24782019240033e240033
dc.identifier.issn1809-449X
dc.identifier.issn1413-2478
dc.identifier.scopus2-s2.0-85082747069
dc.identifier.urihttp://hdl.handle.net/11449/232981
dc.language.isoeng
dc.language.isopor
dc.relation.ispartofRevista Brasileira de Educacao
dc.sourceScopus
dc.subjectCritical theory of society
dc.subjectCultural industry
dc.subjectMusical education
dc.subjectRegressive listening
dc.subjectResentment
dc.titleRefusal to formation: A discussion on resentment, music, experience and sensitivityen
dc.titleRecusa à formação: Uma discussão sobre ressentimento, música, experiência e sensibilidadept
dc.typeArtigo
unesp.author.orcid0000-0001-6174-9267[1]
unesp.author.orcid0000-0003-3124-4692[2]

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