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Human disfigurement and non identification in Endgame by Beckett

dc.contributor.authorRodrigues, Marcia Regina [UNESP]
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T17:45:12Z
dc.date.available2018-11-26T17:45:12Z
dc.date.issued2017-01-01
dc.description.abstractIn this text we try to show how the description of the characters in Endgame inhibits the effect of identification and defines, to a certain extent, the dramatic composition of the play which, devoid of progressive action, and therefore of tensions or conflicts, communicates Beckett's Nothing to be done in front of the destroyed world.en
dc.description.affiliationUniv Estadual Paulista, Fac Ciencias & Letras, Dept Literatura, Araraquara, SP, Brazil
dc.description.affiliationUnespUniv Estadual Paulista, Fac Ciencias & Letras, Dept Literatura, Araraquara, SP, Brazil
dc.format.extent153-163
dc.identifier.citationOlho D Agua. Sao Paulo: Univ Estadual Paulista, Fundacao Editora Unesp, v. 9, n. 1, p. 153-163, 2017.
dc.identifier.issn2177-3807
dc.identifier.urihttp://hdl.handle.net/11449/163848
dc.identifier.wosWOS:000425047100014
dc.language.isopor
dc.publisherUniv Estadual Paulista, Fundacao Editora Unesp
dc.relation.ispartofOlho D Agua
dc.rights.accessRightsAcesso restrito
dc.sourceWeb of Science
dc.subjectBeckett's Dramaturgy
dc.subjectDramatic composition
dc.subjectDramatic character
dc.subjectTheatre of the absurd
dc.titleHuman disfigurement and non identification in Endgame by Becketten
dc.typeArtigo
dcterms.rightsHolderUniv Estadual Paulista, Fundacao Editora Unesp
dspace.entity.typePublication
unesp.departmentLiteratura - FCLARpt

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