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From origins to circo-theatre: malleability and permanence of melodrama

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dc.contributor.authorMacedo, Cristina Alves de [UNESP]
dc.contributor.authorAmancio Costa, Eliene Benicio
dc.contributor.institutionUniversidade Federal da Bahia (UFBA)
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.contributor.institutionManchester Metropolitan Univ UK
dc.contributor.institutionUniv Paris Nanterre FR
dc.date.accessioned2021-06-25T11:49:21Z
dc.date.available2021-06-25T11:49:21Z
dc.date.issued2020-11-01
dc.description.abstractIn this article, was discussed about melodrama, considering your origin until its presence in the circus-theater. It's a bibliographic study, with highlight on Italian authors that study the opera as melodrama. In relation to the Brazilian circus-theater, relevant research was cited about its creation and how the melodrama genre is an example of dramaturgy that will predominate in this circus format.en
dc.description.affiliationUniv Fed Bahia, Programa Posgrad Artes Cenicas, UFBA, PPGAC, Salvador, BA, Brazil
dc.description.affiliationUniv Fed Bahia, Nucleo Estudos Teatro Popular, Salvador, BA, Brazil
dc.description.affiliationUniv Estadual Paulista, Circo & Riso, Sao Paulo, Brazil
dc.description.affiliationUniv Fed Bahia, Dept Tecn Espetaculo, Escola Teatro, Salvador, BA, Brazil
dc.description.affiliationManchester Metropolitan Univ UK, Manchester, Lancs, England
dc.description.affiliationUniv Paris Nanterre FR, Nanterre, France
dc.description.affiliationUniv Estadual Paulista, Inst Artes, IA UNESP, Sao Paulo, Brazil
dc.description.affiliationUnespUniv Estadual Paulista, Circo & Riso, Sao Paulo, Brazil
dc.description.affiliationUnespUniv Estadual Paulista, Inst Artes, IA UNESP, Sao Paulo, Brazil
dc.format.extent16
dc.identifierhttp://dx.doi.org/10.5965/14145731033920200205
dc.identifier.citationUrdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 3, n. 39, 16 p., 2020.
dc.identifier.doi10.5965/14145731033920200205
dc.identifier.issn1414-5731
dc.identifier.urihttp://hdl.handle.net/11449/209126
dc.identifier.wosWOS:000610034700008
dc.language.isopor
dc.publisherUniv Estado Santa Catarina-udesc
dc.relation.ispartofUrdimento-revista De Estudos Em Artes Cenicas
dc.sourceWeb of Science
dc.subjectMelodrama
dc.subjectOpera
dc.subjectTheater
dc.subjectCircus-Theater
dc.titleFrom origins to circo-theatre: malleability and permanence of melodramaen
dc.typeArtigopt
dcterms.rightsHolderUniv Estado Santa Catarina-udesc
dspace.entity.typePublication
unesp.author.orcid0000-0003-4113-1675[1]
unesp.campusUniversidade Estadual Paulista (UNESP), Instituto de Artes, São Paulopt

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