From origins to circo-theatre: malleability and permanence of melodrama
| dc.contributor.author | Macedo, Cristina Alves de [UNESP] | |
| dc.contributor.author | Amancio Costa, Eliene Benicio | |
| dc.contributor.institution | Universidade Federal da Bahia (UFBA) | |
| dc.contributor.institution | Universidade Estadual Paulista (Unesp) | |
| dc.contributor.institution | Manchester Metropolitan Univ UK | |
| dc.contributor.institution | Univ Paris Nanterre FR | |
| dc.date.accessioned | 2021-06-25T11:49:21Z | |
| dc.date.available | 2021-06-25T11:49:21Z | |
| dc.date.issued | 2020-11-01 | |
| dc.description.abstract | In this article, was discussed about melodrama, considering your origin until its presence in the circus-theater. It's a bibliographic study, with highlight on Italian authors that study the opera as melodrama. In relation to the Brazilian circus-theater, relevant research was cited about its creation and how the melodrama genre is an example of dramaturgy that will predominate in this circus format. | en |
| dc.description.affiliation | Univ Fed Bahia, Programa Posgrad Artes Cenicas, UFBA, PPGAC, Salvador, BA, Brazil | |
| dc.description.affiliation | Univ Fed Bahia, Nucleo Estudos Teatro Popular, Salvador, BA, Brazil | |
| dc.description.affiliation | Univ Estadual Paulista, Circo & Riso, Sao Paulo, Brazil | |
| dc.description.affiliation | Univ Fed Bahia, Dept Tecn Espetaculo, Escola Teatro, Salvador, BA, Brazil | |
| dc.description.affiliation | Manchester Metropolitan Univ UK, Manchester, Lancs, England | |
| dc.description.affiliation | Univ Paris Nanterre FR, Nanterre, France | |
| dc.description.affiliation | Univ Estadual Paulista, Inst Artes, IA UNESP, Sao Paulo, Brazil | |
| dc.description.affiliationUnesp | Univ Estadual Paulista, Circo & Riso, Sao Paulo, Brazil | |
| dc.description.affiliationUnesp | Univ Estadual Paulista, Inst Artes, IA UNESP, Sao Paulo, Brazil | |
| dc.format.extent | 16 | |
| dc.identifier | http://dx.doi.org/10.5965/14145731033920200205 | |
| dc.identifier.citation | Urdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 3, n. 39, 16 p., 2020. | |
| dc.identifier.dimensions | pub.1134318805 | |
| dc.identifier.doi | 10.5965/14145731033920200205 | |
| dc.identifier.issn | 1414-5731 | |
| dc.identifier.issn | 2358-6958 | |
| dc.identifier.orcid | 0000-0003-4113-1675 | |
| dc.identifier.uri | http://hdl.handle.net/11449/209126 | |
| dc.identifier.wos | WOS:000610034700008 | |
| dc.language.iso | por | |
| dc.publisher | Univ Estado Santa Catarina-udesc | |
| dc.publisher | Universidade do Estado de Santa Catarina | |
| dc.relation.ispartof | Urdimento-revista De Estudos Em Artes Cenicas | |
| dc.rights.accessRights | Acesso aberto | pt |
| dc.rights.sourceRights | oa_all | |
| dc.rights.sourceRights | gold | |
| dc.source | Web of Science | |
| dc.source | Dimensions | |
| dc.subject | Melodrama | |
| dc.subject | Opera | |
| dc.subject | Theater | |
| dc.subject | Circus-Theater | |
| dc.title | From origins to circo-theatre: malleability and permanence of melodrama | en |
| dc.type | Artigo | pt |
| dcterms.rightsHolder | Univ Estado Santa Catarina-udesc | |
| dspace.entity.type | Publication | |
| relation.isOrgUnitOfPublication | 24e01757-bd68-4b7c-b7eb-e6b26bd76969 | |
| relation.isOrgUnitOfPublication.latestForDiscovery | 24e01757-bd68-4b7c-b7eb-e6b26bd76969 | |
| unesp.author.orcid | 0000-0003-4113-1675[1] | |
| unesp.campus | Universidade Estadual Paulista (UNESP), Instituto de Artes, São Paulo | pt |