As Afetividades da sujeita Travesti, a partir das obras Se eu fosse pura (2023), Amara Moira e Eu, Travesti (2019), Luísa Marilac e Nana Queiroz
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Letras - FCLAS
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Universidade Estadual Paulista (Unesp)
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Dissertação de mestrado
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Acesso aberto
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Transvestites are marginalized bodies within a social context that deprives them of rights and places them in a position of solitude and invisibility. Through a comparison between the works *E se eu fosse pura* (2023) by Amara Moira and *Eu, Travesti* (2019) by Luísa Marilac and Nana Queiros, this study seeks to relate them to highlight how both works construct the Brazilian transvestite subject and, at the same time, show how the affectivities produced by the bodies of these subjects occur in a social environment. First, it introduces the concepts about transvestite corporeality, then studies transvestite affectivity and how these subjects are defined within the contemporary social structure; secondly, it analyzes the works, the way they construct this transvestite subject from their writing and narrative aspects, to understand the processes that mark subjectivation, and exemplifying how the works create a transvestite literature. Analysis is necessary because it reinterprets narratives about these bodies, placing them in the foreground, while simultaneously presenting itself through a theoretical and literary study, making the writing of these works worthy and important. To this end, the discussion will be based on Bento (2006, 2011 and 2012), Butler (2003, 2015 and 2019), Gomes de Oliveira (2020), hooks (2019), Lamberti (2024), Monteiro (2020), Nascimento (2021) and Preciado (2014, 2017 and 2021), among other theorists.
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Português
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de Souza, Allanis Ferrereira Gonçalves. As Afetividades da sujeita Travesti, a partir das obras Se eu fosse pura (2023), Amara Moira e Eu, Travesti (2019), Luísa Marilac e Nana Queiroz. Dissertação (mestrado) - Universidade Estadual Paulista (UNESP), Faculdade de Ciência e Letras de Assis, Assis. Orientadora: Daniela Mantarro Callipo. Assis - 2026, 158 p.
