Cinematecas e cineclubes: política e cinema no projeto da Cinemateca Brasileira (1952/ 1973)
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Data
2007-08-13
Autores
Correa Júnior, Fausto Douglas [UNESP]
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
Este trabalho apresenta-se inicialmente como um estudo do conceito de cinemateca com base na experiência histórica delas desde o surgimento das primeiras coleções de filmes até os nossos dias. O foco contudo se dá no final da década de 1950 e início da década de 1960 quando um modelo específico de cinemateca, do qual o grande ideólogo foi Henri Langlois, é colocado em xeque no âmbito da Federação Internacional de Arquivos de Filmes (FIAF). Em seguida, nos esforçamos para compreender as especificidades da experiência brasileira no panorama político e cultural do país, analisando sobretudo o projeto político/ pedagógico da instituição para o campo da educação e de políticas culturais no Brasil no período entre 1952 e 1973.
This work is in principle a study about the concept of cinémathèque based on their historical experience, since the born of the firsts film’s collections up to ours days. The focus however is concentrate over the late 1950s, and in the early of 1960s when the debate in the International Federation of Film’s Archives (FIAF) put unfavorably into question a specific model of this kind of institution, model which the biggest ideologue was Henri Langlois of the Cinémathèque Française. After this, we made an effort to understand the specificity of the Cinemateca Brasileira trajectory’s in the Brazilian’s politic and cultural panorama, especially about the educational and political character’s of the Brazilian institution project’s to the educational and cultural camps in the country between 1952 and 1973.
This work is in principle a study about the concept of cinémathèque based on their historical experience, since the born of the firsts film’s collections up to ours days. The focus however is concentrate over the late 1950s, and in the early of 1960s when the debate in the International Federation of Film’s Archives (FIAF) put unfavorably into question a specific model of this kind of institution, model which the biggest ideologue was Henri Langlois of the Cinémathèque Française. After this, we made an effort to understand the specificity of the Cinemateca Brasileira trajectory’s in the Brazilian’s politic and cultural panorama, especially about the educational and political character’s of the Brazilian institution project’s to the educational and cultural camps in the country between 1952 and 1973.
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Palavras-chave
Patrimônio cultural - Proteção, Memoria, Cultura, Cinemateca brasileira, Brazil – Culture
Como citar
CORREA JÚNIOR, Fausto Douglas. Cinematecas e cineclubes: política e cinema no projeto da Cinemateca Brasileira (1952/ 1973). 2007. 227 f. Dissertação (mestrado) - Universidade Estadual Paulista, Faculdade de Ciências e Letras de Assis, 2007.