O real empírico e fílmico segundo Pasolini e Manoel de Oliveira

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dc.contributor.authorDe Andrade, Ana Carolina Negrão Berlini [UNESP]
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-12-11T16:37:47Z
dc.date.available2018-12-11T16:37:47Z
dc.date.issued2014-01-01
dc.description.abstractThis work intends to do a short comparison between the film-makers Pier Paolo Pasolini and Manoel de Oliveira aesthetic ideas keeping the analysis of the relations held by both with the real empirical and filmic as the main focus. These aesthetic ideas were taken from texts written by the artists themselves and from interviews that were given in a time of their lives where the artistic ripeness had reached its roof which possibilities a kind of overview.en
dc.description.affiliationUNESP
dc.description.affiliationUnespUNESP
dc.format.extent98-113
dc.identifier.citationNau Literaria, v. 10, n. 1, p. 98-113, 2014.
dc.identifier.issn1981-4526
dc.identifier.scopus2-s2.0-84905057012
dc.identifier.urihttp://hdl.handle.net/11449/167650
dc.language.isopor
dc.relation.ispartofNau Literaria
dc.relation.ispartofsjr0,100
dc.rights.accessRightsAcesso restrito
dc.sourceScopus
dc.subjectCinema
dc.subjectManoel de Oliveira
dc.subjectPier Paolo Pasolini
dc.titleO real empírico e fílmico segundo Pasolini e Manoel de Oliveirapt
dc.title.alternativeThe real empirical and filmic according to Pasolini and Manoel de Oliveiraen
dc.typeArtigo

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