Cadence as a Metaphor of Instability and Conclusive Unity: A Brief Excursus Between Grammar and Music
dc.contributor.author | Iafelice, Carlos Cascarelli [UNESP] | |
dc.contributor.institution | Universidade Estadual Paulista (Unesp) | |
dc.date.accessioned | 2020-12-10T17:01:59Z | |
dc.date.available | 2020-12-10T17:01:59Z | |
dc.date.issued | 2019-09-01 | |
dc.description.abstract | The structural development of what we understand as cadence has a long and complex history associated with an awareness and appreciation of musical elements assimilated by a decodification process that is related to adapted morphology. Thus, the connection between music and text goes beyond its joint praxis: it lends structural elements from its main vehicle (text), engendering a true corpus grammaticae musicae. In general terms, this principle resulted in parameters from both synchronic and diachronic dimensions, i.e., a specific set of intervals with a particular melodic progression. The argument presented in this study aims to exam the musical treatises through the end of the fifteenth century in testimonies that contain evidence that corroborate a probable dichotomy between understanding of cadence as a metaphor of instability and conclusive unity. | en |
dc.description.affiliation | Univ Estadual Paulista, Sao Paulo, SP, Brazil | |
dc.description.affiliationUnesp | Univ Estadual Paulista, Sao Paulo, SP, Brazil | |
dc.format.extent | 30-49 | |
dc.identifier | http://dx.doi.org/10.20504/opus2019c2502 | |
dc.identifier.citation | Opus. Campinas: Assoc Nac Pesquisa & Pos-graduacao & Musica, v. 25, n. 3, p. 30-49, 2019. | |
dc.identifier.doi | 10.20504/opus2019c2502 | |
dc.identifier.issn | 1517-7017 | |
dc.identifier.uri | http://hdl.handle.net/11449/195020 | |
dc.identifier.wos | WOS:000500556100002 | |
dc.language.iso | eng | |
dc.publisher | Assoc Nac Pesquisa & Pos-graduacao & Musica | |
dc.relation.ispartof | Opus | |
dc.source | Web of Science | |
dc.subject | History of music theory | |
dc.subject | theory of cadence | |
dc.subject | music grammar | |
dc.subject | 15th-century music theory | |
dc.title | Cadence as a Metaphor of Instability and Conclusive Unity: A Brief Excursus Between Grammar and Music | en |
dc.type | Artigo | |
dcterms.rightsHolder | Assoc Nac Pesquisa & Pos-graduacao & Musica |