Publicação: Aquecimento vocal para o canto erudito: Teoria e prática
dc.contributor.author | De Araújo, André Luiz Lopes | |
dc.contributor.author | Dos Santos, Teresa Maria Momensohn | |
dc.contributor.author | Giannini, Susana Pimentel Pinto | |
dc.contributor.author | Miguel, Fabio [UNESP] | |
dc.contributor.author | Petian, Andréa | |
dc.contributor.institution | Universidade Católica de São Paulo | |
dc.contributor.institution | Universidade Estadual Paulista (UNESP) | |
dc.contributor.institution | Universidade de São Paulo (USP) | |
dc.date.accessioned | 2022-04-28T19:02:30Z | |
dc.date.available | 2022-04-28T19:02:30Z | |
dc.date.issued | 2014-01-01 | |
dc.description.abstract | Vocal warm-ups are essential for the technical training of the singer, for good speech and performance, as well as essential for good vocal health and a long-lasting career. Objective: To analyze the theory and practice of the vocal warm-up in classical singing, from the perspective of different professionals in the voice field including: teachers, speech therapists and singers. Method: descriptive search, quantitative in nature, cross-sectional, with a questionnaire for voice teachers, singers and audiologists. The sample consisted of 165 subjects: 86 voice teachers, 64 speech pathologists, and 15 singers. Results: Teachers of Singing (97.7 %), singers (95.3 %) and students (93.3 %) use the vocal warm-up. Conclusion: From the results we can infer that most of the professionals surveyed point to the importance of the implementation of the vocal warm-up before a performance, and the strategy used by most voice instructors, speech therapists and singers is vocalization, i.e. aesthetic warm-up. | en |
dc.description.affiliation | Universidade Católica de São Paulo | |
dc.description.affiliation | Universidade Estadual Paulista Júlio de Mesquita Filho | |
dc.description.affiliation | Faculdade de Medicina Universidade de São Paulo | |
dc.description.affiliationUnesp | Universidade Estadual Paulista Júlio de Mesquita Filho | |
dc.format.extent | 122-137 | |
dc.identifier.citation | Musica Hodie, v. 14, n. 2, p. 122-137, 2014. | |
dc.identifier.issn | 1676-3939 | |
dc.identifier.scopus | 2-s2.0-84955105665 | |
dc.identifier.uri | http://hdl.handle.net/11449/220542 | |
dc.language.iso | por | |
dc.relation.ispartof | Musica Hodie | |
dc.source | Scopus | |
dc.subject | Music | |
dc.subject | Singing | |
dc.subject | Vocal warm-up | |
dc.subject | Voice | |
dc.title | Aquecimento vocal para o canto erudito: Teoria e prática | pt |
dc.title.alternative | Vocal warm-up in classical singing: Theory and practical application | en |
dc.type | Resenha | |
dspace.entity.type | Publication |