Publicação: The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917)
dc.contributor.author | Novaes, Sylvia Caiuby | |
dc.contributor.author | Cunha, Edgar Teodoro da [UNESP] | |
dc.contributor.author | Henley, Paul | |
dc.contributor.institution | Universidade de São Paulo (USP) | |
dc.contributor.institution | Universidade Estadual Paulista (Unesp) | |
dc.contributor.institution | Univ Manchester | |
dc.date.accessioned | 2018-11-28T04:04:18Z | |
dc.date.available | 2018-11-28T04:04:18Z | |
dc.date.issued | 2017-01-01 | |
dc.description.abstract | Although rarely mentioned in English-language texts, Rituais de Festas Bororo has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917, the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis. | en |
dc.description.affiliation | Univ Sao Paulo, Anthropol, BR-05508 Sao Paulo, Brazil | |
dc.description.affiliation | Univ Estadual Paulista, Anthropol, Sao Paulo, Brazil | |
dc.description.affiliation | Univ Manchester, Granada Ctr Visual Anthropol, Visual Anthropol, Manchester M13 9PL, Lancs, England | |
dc.description.affiliationUnesp | Univ Estadual Paulista, Anthropol, Sao Paulo, Brazil | |
dc.description.sponsorship | Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) | |
dc.description.sponsorship | Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) | |
dc.description.sponsorship | Leverhulme Trust | |
dc.description.sponsorshipId | CNPq: 308257/2014-6 | |
dc.description.sponsorshipId | FAPESP: 2008/56438-6 | |
dc.format.extent | 105-146 | |
dc.identifier | http://dx.doi.org/10.1080/08949468.2017.1276383 | |
dc.identifier.citation | Visual Anthropology. Abingdon: Routledge Journals, Taylor & Francis Ltd, v. 30, n. 2, p. 105-146, 2017. | |
dc.identifier.doi | 10.1080/08949468.2017.1276383 | |
dc.identifier.file | WOS000395121000001.pdf | |
dc.identifier.issn | 0894-9468 | |
dc.identifier.lattes | 6539261486388368 | |
dc.identifier.orcid | 0000-0001-9749-6126 | |
dc.identifier.uri | http://hdl.handle.net/11449/165487 | |
dc.identifier.wos | WOS:000395121000001 | |
dc.language.iso | eng | |
dc.publisher | Routledge Journals, Taylor & Francis Ltd | |
dc.relation.ispartof | Visual Anthropology | |
dc.relation.ispartofsjr | 0,150 | |
dc.rights.accessRights | Acesso aberto | |
dc.source | Web of Science | |
dc.title | The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) | en |
dc.type | Artigo | |
dcterms.license | http://journalauthors.tandf.co.uk/permissions/reusingOwnWork.asp | |
dcterms.rightsHolder | Routledge Journals, Taylor & Francis Ltd | |
dspace.entity.type | Publication | |
unesp.author.lattes | 6539261486388368[2] | |
unesp.author.orcid | 0000-0002-7415-2010[1] | |
unesp.author.orcid | 0000-0001-9749-6126[2] | |
unesp.department | Antropologia, Política e Filosofia - FCLAR | pt |
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