Publicação:
Acoustic and perceptual analyses of Brazilian male actors' and nonactors' voices: Long-term average spectrum and the Actor's Formant

dc.contributor.authorMaster, Suely [UNESP]
dc.contributor.authorDe Biase, Noemi
dc.contributor.authorChiari, Brasilia Maria
dc.contributor.authorLaukkanen, Anne-Maria
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.contributor.institutionUniversidade Federal de São Paulo (UNIFESP)
dc.contributor.institutionUniv Tampere
dc.date.accessioned2014-05-20T13:47:24Z
dc.date.available2014-05-20T13:47:24Z
dc.date.issued2008-03-01
dc.description.abstractThis study investigates the possible differences between actors' and nonactors' vocal projection strategies using acoustic and perceptual analyses. A total of 11 male actors and 10 male nonactors volunteered as subjects, reading an extended text sample in habitual, moderate, and loud levels. The samples were analyzed for sound pressure level (SPL), alpha ratio (difference between the average SPL of the 1-5 kHz region and the average SPL of the 50 Hz-1 kHz region), fundamental frequency (F0), and long-term average spectrum (LTAS). Through LTAS, the mean frequency of the first formant (171) range, the mean frequency of the actor's formant, the level differences between the F1 frequency region and the F0 region (L1-L0), and the level differences between the strongest peak at 0-1 kHz and that at 3-4 kHz were measured. Eight voice specialists evaluated perceptually the degree of projection, loudness, and tension in the samples. The actors had a greater alpha ratio, stronger level of the actor's formant range, and a higher degree of perceived projection and loudness in all loudness levels. SPL, however, did not differ significantly between the actors and nonactors, and no differences were found in the mean formant frequencies ranges. The alpha ratio and the relative level of the actor's formant range seemed to be related to the degree of perceived loudness. From the physiological point of view, a more favorable glottal setting' providing a higher glottal closing speed, may be characteristic of these actors' projected voices. So, the projected voices, in this group of actors, were more related to the glottic source than to the resonance of the vocal tract.en
dc.description.affiliationState Univ São Paulo, Art Inst, Dept Sci Arts, BR-04266030 São Paulo, Brazil
dc.description.affiliationUniv Fed São Paulo, Dept Othorrinolaringoly, São Paulo, Brazil
dc.description.affiliationUniv Fed São Paulo, Dept Phonoaudiol, São Paulo, Brazil
dc.description.affiliationUniv Tampere, Dept Speech Commun & Voice Res, FIN-33101 Tampere, Finland
dc.description.affiliationUnespState Univ São Paulo, Art Inst, Dept Sci Arts, BR-04266030 São Paulo, Brazil
dc.format.extent146-154
dc.identifierhttp://dx.doi.org/10.1016/j.jvoice.2006.09.006
dc.identifier.citationJournal of Voice. New York: Mosby-elsevier, v. 22, n. 2, p. 146-154, 2008.
dc.identifier.doi10.1016/j.jvoice.2006.09.006
dc.identifier.issn0892-1997
dc.identifier.lattes3624741498583099
dc.identifier.urihttp://hdl.handle.net/11449/16859
dc.identifier.wosWOS:000253929200003
dc.language.isoeng
dc.publisherMosby-elsevier
dc.relation.ispartofJournal of Voice
dc.relation.ispartofsjr0,735
dc.rights.accessRightsAcesso restrito
dc.sourceWeb of Science
dc.subjectspeech acousticsen
dc.subjectlong-term average spectrumen
dc.subjectvoice qualityen
dc.subjectvoice trainingen
dc.subjectstage speechen
dc.subjectprojectionen
dc.titleAcoustic and perceptual analyses of Brazilian male actors' and nonactors' voices: Long-term average spectrum and the Actor's Formanten
dc.typeArtigo
dcterms.licensehttp://www.elsevier.com/about/open-access/open-access-policies/article-posting-policy
dcterms.rightsHolderMosby-elsevier
dspace.entity.typePublication
unesp.author.lattes3624741498583099
unesp.author.orcid0000-0001-8428-7501[1]
unesp.author.orcid0000-0001-8085-7837[3]
unesp.campusUniversidade Estadual Paulista (UNESP), Instituto de Artes, São Paulopt
unesp.departmentArtes Cênicas, Educação e Fundamentos da Comunicação - IApt

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