Relações de poder na idade média central no tratado do amor cortês de André Capelão (Século XII)
Carregando...
Data
2017-10-03
Autores
Carvalho, Ligia Cristina [UNESP]
Título da Revista
ISSN da Revista
Título de Volume
Editor
Universidade Estadual Paulista (Unesp)
Resumo
A presente pesquisa tem como objetivo investigar os discursos que ressoam no Tratado do Amor Cortês, evidenciando, dentre outros aspectos, os mecanismos discursivos que reforçam as relações de poder que regem a sociedade medieval. Escrito no século XII por André Capelão, o Tratado do Amor Cortês constitui uma importante fonte de estudo e de referência dos novos padrões de sensibilidade e de representações instituídos pela temática do amor cortês. Composta por três livros, a obra tornou-se alvo de estudo e de polêmicas, principalmente, em razão da discrepância entre os dois primeiros livros e o terceiro. Se no primeiro e no segundo livro vislumbramos o enaltecimento da prática do amor denominado cortês e a exaltação do papel feminino no processo de enobrecimento do amante, no terceiro e último livro o autor assume uma postura oposta, enumerando os males ocasionados por esse amor dito profano e vilipendiando as mulheres. Nesta tese, buscaremos demonstrar que tal contraste é resultado dos diferentes discursos, em especial o discurso cortês e o discurso religioso, representados no Tratado, caracterizando-o como uma obra polifônica. Dentre os diversos elementos discursivos, priorizamos analisar aqueles que reproduzem, reforçam e divulgam as relações de poder e dominação entre os homens e entre os sexos, em suas diferentes manifestações.
The present research aims to investigate the discourses that resonate in the The Art of Courtly Love, evidencing, among other aspects, the discursive mechanisms that reinforce the relations of power that govern the medieval society. Written in the twelfth century by Andreas Capellanus, The Art of Courtly Love is an important source of study and reference for the new patterns of sensibility and representations instituted by the theme of courtly love. Composed by of three books, the work became the subject of study and controversy mainly due to the discrepancy between the first two books and the third. If in the first and second books one can see the praising of love called courteous and the exaltation of the feminine role in the process of ennoblement of the lover, in the third and last book the author assumes an opposite position, enumerating the hexes occasioned by this profane love, while vilifying women. In this thesis we’ll try to show that this contrast is a result of the different discourses, especially the courtly discourse and the religious discourse, represented in The Art of Courtly Love, characterizing it as a polyphonic work. Among the various discursive elements, we prioritize to analyze those who reproduce, reinforce and divulge the relations of power and domination between men and between the sexes, in their different manifestations.
The present research aims to investigate the discourses that resonate in the The Art of Courtly Love, evidencing, among other aspects, the discursive mechanisms that reinforce the relations of power that govern the medieval society. Written in the twelfth century by Andreas Capellanus, The Art of Courtly Love is an important source of study and reference for the new patterns of sensibility and representations instituted by the theme of courtly love. Composed by of three books, the work became the subject of study and controversy mainly due to the discrepancy between the first two books and the third. If in the first and second books one can see the praising of love called courteous and the exaltation of the feminine role in the process of ennoblement of the lover, in the third and last book the author assumes an opposite position, enumerating the hexes occasioned by this profane love, while vilifying women. In this thesis we’ll try to show that this contrast is a result of the different discourses, especially the courtly discourse and the religious discourse, represented in The Art of Courtly Love, characterizing it as a polyphonic work. Among the various discursive elements, we prioritize to analyze those who reproduce, reinforce and divulge the relations of power and domination between men and between the sexes, in their different manifestations.
Descrição
Palavras-chave
Século XII, Amor Cortês, André Capelão, Middle Age, 12th century, Courtly Love, Andreas Capellanus, História medieval, Análise de discurso, Discourse analysis