O concerto para viola e orquestra de antônio borges-cunha: Forma e interpretação

dc.contributor.authorKubala, Ricardo Lobo [UNESP]
dc.contributor.authorDe Biaggi, Emerson Luiz
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)
dc.contributor.institutionUniversidade Estadual de Campinas (UNICAMP)
dc.date.accessioned2022-04-29T08:49:19Z
dc.date.available2022-04-29T08:49:19Z
dc.date.issued2013-10-21
dc.description.abstractThis article has as object of study the Concerto for Viola and Orquestra by Antônio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.en
dc.description.affiliationUNESP, São Paulo, SP
dc.description.affiliationUNICAMP, Campinas, SP
dc.description.affiliationUnespUNESP, São Paulo, SP
dc.format.extent192-200
dc.identifier.citationMusica Hodie, v. 13, n. 1, p. 192-200, 2013.
dc.identifier.issn1676-3939
dc.identifier.scopus2-s2.0-84885665314
dc.identifier.urihttp://hdl.handle.net/11449/232142
dc.language.isopor
dc.relation.ispartofMusica Hodie
dc.sourceScopus
dc.subjectBrazilian contemporary music
dc.subjectMusic for viola and orchestra
dc.subjectMusical interpretation
dc.titleO concerto para viola e orquestra de antônio borges-cunha: Forma e interpretaçãopt
dc.title.alternativeThe concerto for viola and orchestra by antônio borges-cunha: Form and interpretationen
dc.typeArtigo

Arquivos