Transgresión, opción decolonial y arte brasileño
Nenhuma Miniatura disponível
Data
2022-01-01
Orientador
Coorientador
Pós-graduação
Curso de graduação
Título da Revista
ISSN da Revista
Título de Volume
Editor
Tipo
Artigo
Direito de acesso
Resumo
Focusing on Brazil, this article examines the colonial imposition of hegemonic identity and aesthetics that caused the invisibilization and silencing of the histories and knowledge of colonized groups located in marginal situations. It proposes that, in response to this process, marginalized identities use tools inserted in the decolonial strategy detachment and disobedience to transgress the hegemonic normative in the construction and elaboration of its cultural production. The text analyzes recent Brazilian artists, works, actions, and events that, through their poetics, havemanaged to pervert and raise awareness of the epistemology imposed by coloniality. It studies transgressive proposals that filtered into the legitimized institutions, such as the works of Rosana Paulino, Denilson Baniwa, or the Queermuseu exhibition, as well a proposal born outside the institutional limits, pixacao, which, through its friction with the normative social model, escapes any regulatory imposition.
Descrição
Palavras-chave
Idioma
Espanhol
Como citar
Latin American Research Review, v. 57, n. 1, p. 80-99, 2022.
