The interpretation of electroacoustic music: technical aspects

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dc.contributor.authorScucuglia, Fabio [UNESP]
dc.contributor.institutionUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2021-06-25T11:50:16Z
dc.date.available2021-06-25T11:50:16Z
dc.date.issued2020-10-01
dc.description.abstractThis article aims to discuss the role of the electroacoustic music interpreter from a technical point of view, listing and qualifying the instruments necessary for the capture, treatment and diffusion of sound objects. For this, we mapped the path taken by the audio signal (which can be of an acoustic, electrical, electronic or digital nature) during a live-electronics concert situation, discussing about hypothetical situations and the choices involved in the interpretation.en
dc.description.affiliationUniv Estadual Paulista Julio de Mesquita Filho UN, Aracatuba, Brazil
dc.description.affiliationUnespUniv Estadual Paulista Julio de Mesquita Filho UN, Aracatuba, Brazil
dc.format.extent143-168
dc.identifier.citationDebates. Rio De Janeiro: Programa Pos-graduacao Musica-ppgm, n. 24, p. 143-168, 2020.
dc.identifier.issn1414-7939
dc.identifier.urihttp://hdl.handle.net/11449/209163
dc.identifier.wosWOS:000612993800006
dc.language.isopor
dc.publisherPrograma Pos-graduacao Musica-ppgm
dc.relation.ispartofDebates
dc.sourceWeb of Science
dc.subjectElectroacoustic Music
dc.subjectMusic Interpretation
dc.subjectMusic Production
dc.titleThe interpretation of electroacoustic music: technical aspectsen
dc.typeArtigo
dcterms.rightsHolderPrograma Pos-graduacao Musica-ppgm

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